WITHOUT A TRACE 1X10: MIDNIGHT SUN ORIGINAL AIR DATE ON CBS: 12/12/2002 TRANSCRIBED FROM CBS Written by HANK STEINBERG Directed by MICHELLE MacLAREN Transcript by Intrepid Courtesy of http://www.webphilia.com/~anthology/wnp.html Please do not archive this transcript without permission from the Transcriptionist. (Brought to you in HDTV by SamSung Digitall) RATING: TV-PG-V ========================== DISCLAIMER: ========================== "WITHOUT A TRACE" and other related entities are owned, (TM) and (c) by JERRY BRUCKHEIMER Television, CBS Productions, and Warner Bros. Television (an AOL Time Warner Company). All Rights Reserved. This transcript was made without their permission, approval, authorization or endorsement. Any reproduction, duplication or distribution of this material in any form is expressly prohibited. It is absolutely forbidden to use it for commercial gain. Leave the headers/disclaimers in tact because it lists all those who have made this transcript possible for your enjoyment and provide a link back to the site where this file originated http://www.webphilia.com/~anthology/wnp.html Contact the Transcriptionist at (intrepidly002@yahoo.com) ========================== SUMMARY: The Missing Persons Unit is put on a case where they look for a man and his missing daughter. Conflicts with another Justice Department arise when it's discovered that the man is part of the Federal Witness Protection Program. ========================== WITHOUT A TRACE 1X10: MIDNIGHT SUN ========================== COLD OPEN: [EXT. (VARIOUS) NEW YORK COMMUNITY (STOCK) - DAY] CUT TO: SCENE #01: [EXT. PRITCHARD RESIDENCE - FRONT YARD -- MORNING] LEGEND: SMITHTOWN, NY 8 AM (The front door closes. GREG PRITCHARD and his daughter KYLA walk out and head for the car. SARAH PRITCHARD rushes outside carrying KYLA'S blue lunch sack.) SARAH PRITCHARD: Hey! Kids! You forgot something. (SARAH PRITCHARD leans down and gives the lunch sack to KYLA.) KYLA PRITCHARD: That's daddy's job. You said. SARAH PRITCHARD: Yours, too, if you want to be a big girl. GREG PRITCHARD: Forgive me. (He kisses SARAH.) SARAH PRITCHARD: Maybe. GREG PRITCHARD: Be home for supper. (GREG starts walking toward the car.) SARAH PRITCHARD: On time? (He looks back at her. She smiles and shaker her head.) GREG PRITCHARD: Here we go. (GREG lifts KYLA over the door and into the car.) (to KYLA) Put your stuff in the back. Seat belt on. SARAH PRITCHARD: Bye. Seat belts, please. GREG PRITCHARD: Come on. SARAH PRITCHARD: Love you. GREG PRITCHARD: Okay. (GREG starts the car.) JACK: (v.o.) Greg Pritchard, 42 years old. Daughter, Kyla, six years old. SARAH PRITCHARD: Bye! KYLA PRITCHARD: (waving) Bye, mommy! (GREG backs the car out of the driveway.) JACK: (v.o.) He was supposed to open up his dry cleaning store as usual, then take Kyla to school. He never got to the store and Kyla never made it to school. Kyla's mother, Sarah, watched them leave the house at 8:00 this morning. Nobody's seen them since. (GREG drives off. The car vanishes.) FADE TO WHITE: SCENE #02: [EXT. PRITCHARD RESIDENCE -- DAY] (Police cars are parked along side the house. JACK pulls the car up the driveway.) (He and VIVIAN exit the car.) VIVIAN: Nice middle-class me, nice neighborhood. (They walk up to the front door.) JACK: Lawnmowers, sprinklers. Kid on the corner selling lemonade. VIVIAN: And the father's got no criminal record? JACK: No. Pillar of the community, coaches little league. The whole nine yards. VIVIAN: That's a mixed metaphor. JACK: Indeed. VIVIAN: And there's no history of domestic abuse, child abuse? JACK: No, no history and history is written by the victors. VIVIAN: Winners ... and that's a cliché. JACK: It's an adage. And it's an adage because it's true. (VIVIAN rings the doorbell.) JACK: Did I tell you it was my daughter's birthday last week? VIVIAN: No. JACK: Yeah, she turned six. SHORT TIME CUT TO: SCENE #03: [INT. PRITCHARD RESIDENCE - DAY] (JACK and VIVIAN interview SARAH PRITCHARD.) SARAH PRITCHARD: My mind is just going to some pretty horrible places. JACK: The are going to be some difficult questions. SARAH PRITCHARD: Ask me anything. JACK: Did your husband have enemies? Anyone who would want to hurt him? SARAH PRITCHARD: No. JACK: How about you? SARAH PRITCHARD: I don't think so. JACK: Kyla? SARAH PRITCHARD: She's six. JACK: Teachers, baby-sitters? Was there anyone that acted strangely toward her? SARAH PRITCHARD: No ... no. JACK: What about your husband's business? Everything okay there? No debts? SARAH PRITCHARD: No. JACK: And he would tell you? SARAH PRITCHARD: Yes. JACK: You're sure. SARAH PRITCHARD: I know my husband. (JACK looks at VIVIAN. VIVIAN picks up the questioning.) VIVIAN: Mrs. Pritchard, is it possible that your husband could've taken Kyla? SARAH PRITCHARD: Taken her? Where? No. No. VIVIAN: Everything in your marriage is ... is ... SARAH PRITCHARD: Fine. VIVIAN: How about between your husband and Kyla? (SARAH looks at JACK and shakes her head.) SARAH PRITCHARD: If you're asking me if Greg was molesting my daughter, the answer is no. JACK: Okay. Let's, uh ... let's talk about last night. SARAH PRITCHARD: He was a little late coming home for dinner (Quick flashback to: GREG walks into the house. KYLA is sitting at the kitchen table. He gives her a kiss.) SARAH PRITCHARD: (v.o.) ... but besides that, everything was normal. GREG PRITCHARD: Oh, hiya, pumpkin. KYLA: Daddy, you're late. (He turns to SARAH.) GREG PRITCHARD: I'm sorry. I got hung up at the store. SARAH PRITCHARD: I called there. GREG PRITCHARD: Oh, I must've not heard over the machines. (He kisses SARAH.) SARAH PRITCHARD: Well, Kyla got hungry, but I waited. GREG PRITCHARD: Well, I actually grabbed something at the store ... (SARAH levels him a look.) ... but I always have some room for your chicken cacciatore. (She rolls her eyes and shakes her head. GREG goes to look at what KYLA'S doing.) SARAH PRITCHARD: You're lucky you're so cute. GREG PRITCHARD: I'm lucky for a lot of reasons. (He hugs KYLA.) (They both disappear. End of flashback. Resume to present.) JACK: Did he usually call you when he was gonna to be late? SARAH PRITCHARD: Yeah, usually. (sighs) Look, I really appreciate you trying to help me but this is not about my husband. There is nothing going on beneath the surface here. Something's happened to them. (She starts to cry.) CUT TO: WHITEBOARD: (Camera zooms past: "GREG and KYLA PRITCHARD" and focuses on the two photographs hung side by side.) HARD CUT TO END OF TEASER ROLL TITLE CREDITS (COMMERCIAL SET) FADE IN. [EXT. NEW YORK CITY (STOCK) - DAY] LEGEND: 6 HOURS MISSING SCENE #04: [INT. FBI - HALLWAY -- DAY] (DANNY and JACK walk to the main office.) DANNY: So you left Vivian over there. JACK: For now. DANNY: What'd the mother say? JACK: Perfect husband, perfect father, perfect life. DANNY: Sounds like perfect denial. JACK: Yeah, we'll see. CUT TO: SCENE #05: [INT. FBI - MISSING PERSONS UNIT - DAY -- CONTINUOUS] (While waiting for the others, MARTIN talks with SAMANTHA at the conference table.) MARTIN: How do you know the father took her? Maybe they were kidnapped. Maybe he was killed and then she was taken. SAMANTHA: Even a psychotic pedophile is unlikely to target a girl traveling with an adult male. MARTIN: So without any evidence to suggest this guy was dirty you assume, this is a custody thing or incest. JACK: Careful, Martin, she's got a thing about men. (MARTIN smiles. SAMANTHA smiles. JACK takes his place at the head of the conference table.) JACK: So ... how we doing on the basics? SAMANTHA: APBs within a 300-mile radius. Nothing from Amtrak, Airlines or Greyhound. DANNY: Nothing on his credit cards. JACK: Background? DANNY: Married, ten years, pays his mortgage, no debt. Model citizen. MARTIN: Can't say as much for his employees. (MARTIN stands and hands JACK the file information.) Chris Anders did time for grand theft auto out on parole since '98. (JACK looks at the photo and the information sheet it's attached to.) JACK: Okay, you and Sam go and see him. I want you to comb his business associates, his friends and Kyla's teachers. (He hands the file back to MARTIN. They leave.) DANNY: Want me to stay on his finances? JACK: Yeah, get all the deep background. If this guy's got a mistress in Boston or got a bad report card in the fourth grade, I want to know about it. I have a feeling this guy's not the angel his wife says he is. (Camera zooms to the two photos of GREG and KYLA PRITCHARD on the Whiteboard.) CUT TO: SCENE #06: [INT. PRITCHARD'S CLEANERS -- DAY] (MARTIN and SAMANTHA question CHRIS ANDERS/QUINCE.) CHRIS ANDERS/QUINCE: Figured you guys'd come at me first, seeing as I got a record.(CHRIS ANDERS (QUINCE) takes a shirt and puts it in the ironing board.) MARTIN: This is just routine. Part of basic steps we do for background. CHRIS ANDERS/QUINCE: Well, I don't know nothing about nothing. SAMANTHA: Nobody's saying you do. We just want to ask you some questions about your boss. CHRIS ANDERS/QUINCE: Don't know much about him either except he gave me a chance when no one else would. (CHRIS ANDERS/QUINCE presses the shirt.) MARTIN: Well, how long have you worked here? CHRIS ANDERS/QUINCE: Four years. Since I got out. MARTIN: How'd you get the job? (CHRIS hangs the shirt up.) CHRIS ANDERS/QUINCE: My parole officer. Mr. P. Signed himself up for a parolee hire. Got an interview ... got the job. SAMANTHA: What do you make of what's happening? CHRIS ANDERS/QUINCE: Well, I figured he must be in some kind of trouble. Don't ask me what. Now, all I know is he loves his wife and he lives for that girl. You know, I never seen a man light up like that around a child before. MARTIN: And you don't think there's any chance that he was having an affair? CHRIS ANDERS/QUINCE: Naw ... Mr. P.? No way. CONNIE: He had a lover. He had a lover and you know it. She would come every few weeks, leave one blouse and then he would go out. Like a clock. CHRIS ANDERS/QUINCE: Look, man -- the lady's crazy, okay. She don't know what she's talking about. CONNIE: I'm not crazy. She was here yesterday. Every time she'd come through that door, (Quick flashback to: A woman carrying a white blouse walks into the dry cleaning business. GREG PRITCHARD meets her at the counter. She hands him the blouse.) CONNIE: (v.o.) ... his whole face would change. GREG PRITCHARD: Starch? ALICE BOOKER (DENISE CHANDLER): Light ... please. GREG PRITCHARD: This will be ready tomorrow after 5:00. ALICE BOOKER (DENISE CHANDLER): Thank you. (The woman leaves. GREG turns around toward the back of the business where he sees CONNIE and CHRIS ANDERS both watching him. He stops. They turn back to what they were doing. He leaves.) CONNIE: (v.o.) He'd wait a little for show (End of flashback. Resume to present.) CONNIE: ... then after 10 minutes, he'd leave... as usual. Only this time he did not come back. I closed up the store. SAMANTHA: Do you have her name and address in the computer? CONNIE: Sure. For every customer. Her name is Alice. Alice Booker. (SAMANTHA glances at MARTIN.) CUT TO: SCENE #07: [EXT. PRITCHARD'S CLEANERS -- DAY] (MARTIN and SAMANTHA exit the dry cleaning business and walk toward their parked car.) SAMANTHA: Another woman. MARTIN: So says busybody. SAMANTHA: And you believe the trusted car thief? One minute he doesn't know anything about his boss the next, he's crying into his soup about what a quaker the guy is. MARTIN: If Prichard's sleeping with this Alice Booker, how comes he seems so irritable when she comes in? SAMANTHA: He's antsy, maybe even a little guilty. MARTIN: 'Cause he's running off the next day with his mistress and taking his daughter with him? SAMANTHA: Hopefully. At least that way, she's safe. MARTIN: All right. Let's go find Alice Booker. (They both get into the car. CUT TO: SCENE #08: [INT. FBI - JACK'S OFFICE -- DAY] (JACK is on the phone.) JACK: (to phone) Nothing on the turnpike? (pause) Yeah... yeah, a father and his daughter. (DANNY walks into the office. JACK concludes his phone call.) JACK: (to phone) Okay. Yeah, thanks. (JACK hangs up the phone. DANNY shows JACK the file he's carrying.) DANNY: Looks like Greg isn't such a model citizen after all. Look at this. Never filed a tax return before 1991. He's got multiple bank accounts with over half a million in savings. JACK: That's a lot of money for somebody who only put down 10% on a $200,000 house. DANNY: Yeah. And both his parents died when he was 20. No big inheritance, and his wife's parents are both civil servants in Ohio, so ... JACK: So what are you thinking? DANNY: He's got an ex-con working for him. Maybe this whole Laundromat, dry- cleaner thing is a front. JACK: For what? DANNY: I don't know. Drugs, diamonds ... illegal ferrets. Maybe this is a business deal gone bad. CUT TO: SCENE #09: [INT. PRITCHARD RESIDENCE - LIVING ROOM -- DAY] LEGEND: 9 HOURS MISSING (SARAH PRITCHARD is sitting on couch alongside two other women. SARAH looks up.) VIVIAN: (o.s.) Excuse me, Mrs. Pritchard? (SARAH PRITCHARD gets up off of the couch and moves with VIVIAN toward another part of the room.) VIVIAN: Do you have any idea why Greg didn't file a tax return before 1991? SARAH PRITCHARD: No. VIVIAN: Do you or your husband know anybody by the name of Alice? SARAH PRITCHARD: Not that I can think of. Why? VIVIAN: We have reason to believe that Greg may have been involved with another woman. SARAH PRITCHARD: No ... that's crazy. VIVIAN: A woman showed up at the dry cleaners. Greg left and never came back, and it wasn't the first time. SARAH PRITCHARD: Who told you that? Connie? She's 70, and she watches too many soap operas. VIVIAN: Mrs. Prichard ... SARAH PRITCHARD: Is this the way that this works? Someone goes missing and you people come in and you dig into the dirt in their lives? VIVIAN: We have to look into everything. SARAH PRITCHARD: Sometimes you twist things around and manufacture dirt where it doesn't exist? I've told you the truth from the beginning. (Upset, SARAH stands and leaves.) CUT TO: SCENE #10: [INT. FBI - BULLPEN -- DAY] (DANNY is on the phone. JACK walks into the bullpen toward DANNY. DANNY looks up and sees JACK. He wraps up his telephone call.) DANNY: (to phone) Okay. Yeah. I gotta go. Bye. (DANNY hangs up the phone.) JACK: Samantha just called. Alice Booker? DANNY: Mm-hmm? JACK: Nonexistent address. Out-of-service telephone number. There is no Alice Booker in Smithtown. DANNY: I could do you one better. Prichard's social security number wasn't issued till 1990. Before that, there's no record of him anywhere. Not in his high school. Not in his college, nowhere. JACK: Nothing this guy's wife told us about him checks out. DANNY: Hmm-mm. Before 1990, Greg Prichard didn't exist. (Camera holds on JACK.) (Cut to: Camera swings to the photograph of GREG PRITCHARD hanging on the whiteboard.) FADE TO BLACK. (COMMERCIAL SET) FADE IN. SCENE #11: [EXT. PRITCHARD RESIDENCE - DAY] LEGEND: 10 HOURS MISSING (Camera opens on a small shrine of candles and flowers near the base of the tree in the front yard. VIVIAN walks out of the house down the front walk toward JACK, SAMANTHA and MARTIN.) JACK: Financial irregularities mystery woman, false identity ... what have we got? SAMANTHA: John Hodson. JACK: Maybe. MARTIN: Want to fill me in? SAMANTHA: Case we had in '99. Straight-laced accountant, town like this, wife, kids. One day, he disappears. We found him two years later in Newport. New name, new wife, new baby. Turns out he was a serial polygamist. Newport was his fourth go-around. JACK: Except when Hodson took off, he didn't have a mistress and he didn't take any of the kids. He just started over, clean. SAMANTHA: So Pritchard got more attached to Kyla than he thought he would. He was cutting corners setting up his new life before he left. MARTIN: (to VIVIAN) Did his wife say anything to you that would indicate he's capable of that? VIVIAN: No. SAMANTHA: Oh, the wife's always the last to know. MARTIN: No disrespect to Mr. Hodson but, uh there's dozens of guys who'd like a new identity. Drug dealers, fugitives, hit men, terrorists ... just about anybody who'd want to hide from anything. JACK: We got Danny on the money trail. Okay, you two: Alice Booker. (SAMANTHA clears her throat. She and MARTIN walk away.) (JACK and VIVIAN stand outside looking at the house.) JACK: So what's your plan? VIVIAN: Put the pad away get her talking about him. One thing about every great liar: 90% of what he says is true. JACK: Whatever you do, do it fast. Her daughter's out there somewhere and it's getting dark. CUT TO: WHITEBOARD: (Camera holds on pictures of both GREG PRITCHARD and then of KYLA PRITCHARD.) SCENE #12: [INT. PRITCHARD RESIDENCE - UTILITY ROOM -- DAY] (SARAH PRITCHARD is doing the laundry. VIVIAN walks in and lingers near the doorway.) VIVIAN: I was just looking at some pictures in the living room. Greg likes to camp, huh? SARAH PRITCHARD: Mm-hmm. VIVIAN: My husband loves the beach. He can lay out there for hours. Me? Ten minutes, I can't sit still. SARAH PRITCHARD: You been married long? VIVIAN: Fourteen years. SARAH PRITCHARD: Oh, you must've been young. VIVIAN: You're telling me. SARAH PRITCHARD: Any kids? VIVIAN: Yeah. One. Reggie. He's twelve. How did you and Greg meet? SARAH PRITCHARD: Look, I know what you're doing. Just ... don't, okay? CUT TO: SCENE #13: [INT. NICKY'S RESTAURANT -- DAY] (MARTIN interviews NICK, GREG PRITCHARD'S friend.) NICKY: Look, I've been the guy's best friend for eight years. I've never seen him look at another woman, believe me. A lot of times we g go out for a beer I'd try to get him to look. MARTIN: And you never saw him do anything inappropriate with Kyla? NICKY: I know how it must look, but I don't believe it. I mean, Sarah and Kyla are his life. MARTIN: You two coach little league together? NICKY: Yeah. Came in last place this year. MARTIN: That's too bad. Nah, nah. Nobody had more fun than we did. And that's 'cause of Greg. And all these other fathers they're insane about it. I used to be one of them. But he's got it in perspective. Everybody plays. Everybody has fun. That's it. MARTIN: So when was the last time you saw him? NICKY: He was here last night. He stopped by for a bite on his way home. (Quick flashback to: GREG PRITCHARD is sitting at the table eating dinner. He looks up and smiles at NICKY.) NICKY: (v.o.) ... He'd never tell Sarah but he likes my cooking a lot better than hers. GREG PRITCHARD: I love this salad, Nicky. NICKY: (chuckling) Hey, bring Greg a plate of moussaka. GREG PRITCHARD: Sit down for a minute. I want to talk to you about something. (NICKY sits down at the table facing GREG.) NICKY: You look so serious. GREG PRITCHARD: No, it's a good thing. Well, you been talking about wanting to take on another business and I was wondering maybe if you want to buy my store. NICKY: You having troubles? GREG PRITCHARD: Not at all. (GREG takes a sip of his drink and puts the cup down.) We're doing great. I've just been thinking about maybe getting into something else. You know, a change of pace. NICKY: Let me think about it. I'll talk it over with Mary. Eat, come on. Eat! (NICKY stands up to leave.) (End of flashback. Resume to present.) MARTIN: Tell me, what do you know about his business? NICKY: Not much. I was sort of surprised by that last night, but ... MARTIN: Did he have any other business interests? I mean, besides the dry cleaning? NICKY: No, not that I know of. MARTIN: Did he ever discuss his past with you? NICKY: Not really. He didn't like to talk about it too much. MARTIN: Didn't you find that odd? NICKY: I got a feeling that he didn't have too good a childhood. The way he is with Sarah and Kyla it's like he's on a mission or something. MARTIN: Mission? NICKY: To be the best father. The best husband. Make the most of everything. (MARTIN nods his head.) CUT TO: WHITEBOARD: --GREG LEAVES DRY CLEANERS --ASKS NICK TO BUY BUSINESS --PAUL LATE FOR DINNER --DOD SCENE #14: [INT. FBI - BULLPEN --DAY] LEGEND: 11 HOURS MISSING (DANNY is sitting at the conference table. He calls MARTIN over to look at what he's found.) DANNY: Martin, come here and take a look at this. The day before he took off our guy went online and tried to transfer all of his personal accounts into his checking account. CDs, money market funds ... everything. MARTIN: That tracks. According to his friend Nick, he was trying to sell the dry cleaner. DANNY: Why is he trying to raise so much cash, huh? MARTIN: He sounds to me like a guy who's trying to liquidate and move on in a hurry before his wife gets wind of it. (SAMANTHA turns around and voices her concern into the mix.) SAMANTHA: Okay, guys, I've been looking through his college yearbook ... looks like he was hiding a lot more than money. CUT TO: SCENE #15: [INT. PRITCHARD RESIDENCE -- DAY] (SARAH PRITCHARD folds laundry. VIVIAN shows SARAH GREG'S high school yearbook.) VIVIAN: I want to show you something. This is a Syracuse yearbook, 1984 the year Greg told you he graduated. Okay ... Amy Pritchard, Tammy Pritchard, no Greg Pritchard. SARAH PRITCHARD: Well, maybe he missed the photo day. VIVIAN: The baseball team he was captain of ... no Greg Pritchard. Not in the pictures, not on the list of players on the team. There is no mention of Greg Pritchard anywhere in this book. SARAH PRITCHARD: So what? I must've gotten the year he graduated wrong. VIVIAN: We checked: '82, '83, '85, and '86. There is no record of Greg Pritchard ever having attended Syracuse. Nor Lincoln High in Binghamton. There's no record of Greg Pritchard -- your Greg Pritchard -- anywhere before 1990. (SARAH sits down and looks at VIVIAN.) VIVIAN: Sarah ... the reason Greg was late last night was because he stopped by Nick's restaurant. He asked Nick to buy his shop. And, yesterday afternoon, we believe he met with his mistress. (SARAH stares at VIVIAN and takes a shakey breath.) SARAH PRITCHARD: When... when we first met ... I was coming out of a really bad relationship. And Greg was different than any man I'd ever known. He was so grounded, and so sure of himself and what he wanted. (VIVIAN listens as she continues to talk.) SARAH PRITCHARD: And he had this pain in his eyes, this sensitivity. It made me feel like I could tell him anything. And I did, I told him everything. He fascinated me with stories about ... about his past. How he traveled to Asia and Europe. And he worked on a fishing boat in Alaska ... the midnight sun. That's what he would talk about. And how he wanted to take me there someday. We had so much left to do, and now you're telling me that everything that he talked about ... everything he told me about himself and all the plans we made, was all a lie? (SARAH starts to cry.) CUT TO: SCENE #16: [INT. ROADWAY DINER -- DAY] (SAMANTHA interviews the WAITRESS.) WAITRESS: I saw his face on tv and then I remembered that he was in here yesterday. And he's in here all the time always with the same woman, and they always sit in that same booth. (SAMANTHA looks over at the booth and visualizes GREG PRITCHARD sitting there. He appears in the empty booth.) SAMANTHA: Can you describe the woman? WAITRESS: She's older. At least 30, I'd say. Maybe 35. SAMANTHA: Height? WAITRESS: A little taller than me. (SAMANTHA looks over at the booth and the woman, "Alice Booker", appears sitting across from GREG PRITCHARD.) SAMANTHA: (v.o.) Hair? WAITRESS: (v.o.) Long, brown, curly. SAMANTHA: (v.o.) Ethnicity? WAITRESS: (v.o.) Mulatto, I guess. She was real pretty. SAMANTHA: How was she dressed? WAITRESS: (o.s.)vvLike you, kind of. SAMANTHA: A business suit. WAITRESS: (o.s.) Yeah, professional. Of course, I thought it was a cover 'cause I am pretty sure they were having an affair. SAMANTHA: Why is that? WAITRESS: Always talking quiet and intimate. And every time I'd come over and bring them coffee or whatever they'd shut right up. SAMANTHA: Did you notice anything different about yesterday? WAITRESS: Yeah, that's the whole thing of it. All of a sudden, they're acting a lot less careful. I mean, they're fighting and they're not looking around to see who's watching. (Quick flashback to: GREG PRITCHARD and "ALICE BOOKER" talking.) ALICE BOOKER: (DENISE CHANDLER): Greg, please think about what you're doing after all this time. GREG PRITCHARD: I'm not going to let you hurt my family. ALICE BOOKER: (DENISE CHANDLER): Who said anything about hurting your family?! Greg, I care about you. GREG PRITCHARD: (shouts) It's over! And it's not open for discussion so just stay away from my family! (GREG stands up and walks away. The WAITRESS witnesses him leaving the diner. End of flashback. Resume to present.) (The WAITRESS turns around to look at SAMANTHA.) WAITRESS: The lady looked pretty upset. She jumped right on her cell phone and she made a call. I thought she was calling his wife or something. SAMANTHA: And she paid the bill? WAITRESS: Oh, yeah, but she paid all the time, anyway. SAMANTHA: Did she use a credit card? WAITRESS: Yeah, pretty much always. SAMANTHA: I need to see those receipts. CUT TO: [EXT. NEW YORK CITY (STOCK) - DAY] SCENE #17: [INT. FBI - BULLPEN -- DAY] WHITEBOARD: (Camera pans across the WHITEBOARD where inserted in red is: --FIGHTS WITH "ALICE" AT DINER, in between --GREG LEAVES DRY CLEANERS and --ASKS NICK TO BUY BUSINESS.) (JACK stands in front of the WHITEBOARD.) JACK: So he breaks off his affair with Alice but doesn't go back to the store. So where was he between 5:00 and 7:00? (He turns around. DANNY'S sitting on top of the conference table facing the whiteboard, too.) DANNY: Well, he's upset. He drives around for awhile, he cools off then he goes and he has a heart-to-heart with his good friend, Nick. JACK: But he doesn't even mention Alice. In fact, Nick's never even heard of her. DANNY: Well, nick could be lying. JACK: Why would he lie? If Nick's telling the truth Pritchard was planning on getting out of dodge. JACK: So he breaks up with Alice, tries to sell the store to Nick but doesn't stick around to see how it plays out. (JACK shakes his head.) Doesn't compute. There's too many loose ends. DANNY: Unless the waitress didn't hear what she thinks that she heard. (Quick flashback to: [ROADWAY DINER] GREG and "ALICE BOOKER" are sitting at the booth.) ALICE BOOKER (DENISE CHANDLER): Greg, I care about you. GREG PRITCHARD: It's over! And it's not open for discussion so just stay away from my family! (GREG stands up and leaves. End of flashback. Resume to present.) JACK: Or she heard the words but mistook the context. SAMANTHA: (interrupting) Jack ... I need to talk to you. (JACK looks at SAMANTHA. He leaves DANNY and follows SAMANTHA out the office. DANNY turns and watches them leave.) CUT TO: [EXT. NEW YORK CITY (STOCK) - DAY] LEGEND: 14 HOURS MISSING SCENE #18: [INT. U.S. MARSHALS N.Y.C. - HALLWAY / OFFICE -- DAY] (JACK walks through the hallway. He opens the door to the U.S. MARSHALS N.Y.C. office. The door closes behind him.) (Cut to: JACK is inside the office.) JACK: Denise Chandler? (DENISE CHANDLER looks up from the file she's reading.) DENISE CHANDLER: Yes. JACK: Jack Malone, FBI missing persons. DENISE CHANDLER: What can I do for you? JACK: Well ... you could tell me why Greg Pritchard is in the Witness Protection Program. DENISE CHANDLER: I'm sorry, but I don't know what you're talking about. JACK: Well, I know ... that you're his point person, I know that you've been meeting him at the roadway diner and I know that you've been paying by credit card 72-12 standard government-issue. You left yourself very exposed, "Alice". What's his real name? DENISE CHANDLER: You know I can't tell you that. JACK: What were you two fighting about the last time you met? Were they on to him? (DENISE CHANDLER doesn't say anything and its obvious that she's not going to. JACK persists.) JACK: Come on, come on. There's a little girl's life at stake. What's going one? CHUCK: (o.s.) Jack Malone. (JACK turns around to see the man standing by the office door.) CHUCK: It's, uh ... been too long. JACK: I'm trying to get some information, Chuck. CHUCK: Denise, would you mind getting yourself some coffee, please? (DENISE CHANDLER leaves the office.) CHUCK: Let's not get into a pissing contest. We're the primaries. We'll let you know when we need you. (JACK knows what's really going on.) JACK: You don't know where they are, do you? You screwed up and now you're trying to cover your ass. (CHUCK chuckles.) CHUCK: You know we can't reveal his identity. It's a blanket policy. JACK: You should've told me about this from the beginning. Then his face wouldn't be all over the news. You have totally compromised this man. CHUCK: I'm touched... by your concern. Mr. Pritchard is really isn't your business. JACK: He may not be, but there's a six-year-old girl missing and that is my damn business. CUT TO: WHITEBOARD: (Camera swings past the picture of GREG PRITCHARD and rests on the photo of KYLA PRITCHARD.) FADE TO BLACK. (COMMERCIAL SET) FADE IN. SCENE #19: [INT. PRITCHARD RESIDENCE - LIVING ROOM -- DAY] LEGEND: 24 HOURS MISSING (SARAH PRITCHARD is in her living room. VIVIAN is with her.) SARAH PRITCHARD: My husband's in the Witness Protection Program. (repeats slightly different) My husband's in the Witness Protection Program. My husband is a Liar and a Criminal and I just didn't see it. (SARAH stands up.) SARAH PRITCHARD: He told me that his parents were dead that he had no real family that he lost all of his old friends because he traveled so much. And I believed him! I keep going over it and over it in my mind. Every look, every ... bad mood every phone call where he'd hang up the phone when I'd walk into the room! How could I not know this?! VIVIAN: He fooled a lot of people. SARAH PRITCHARD: I'm his wife. I brought a child into the world with a complete stranger. I see her, you know. (SARAH turns around to look at the empty living room floor where we see a visualization of KYLA PRITCHARD lying on her stomach coloring in a coloring book.) SARAH PRITCHARD: I see her. She's right there and I just want to touch her. I can't touch her. I just want to be able to touch her again. (KYLA PRITCHARD vanishes.) VIVIAN: You will. SARAH PRITCHARD: How do you know that? You people can't even tell me who he is. For all you know he's a murderer and he's out there with my baby. CUT TO: SCENE #20: [INT. FBI - BULLPEN -- DAY] (JACK and the team, minus VIVIAN, are sitting around the conference table.) JACK: All right, everyone in spite of what our friends at the marshals say as long as there's a girl missing this is still our case. DANNY: We're never going to find this girl until we figure out who the dad is. JACK: That's what we have to focus our energy on. What have we got? SAMANTHA: His new social security number was issued on June 28, 1990. There were four federal trials completed between May and July of that year-- one in New York one in Philadelphia, one in Chicago, one in Miami. MARTIN: For what it's worth Kyla's little league team is the white sox. JACK: And Pritchard is the coach, right? SAMANTHA: Come on, guys, it's kind of a leap. MARTIN: No, no, no. The coach gets to choose the name of the team and nobody's going to choose the White Sox unless they're from Chicago. JACK: Well, the Cubs maybe, but never the White Sox. SAMANTHA: The verdict on the Chicago case came in on June 26 ... two days before the new social was issued. JACK: So what's the case? SAMANTHA: It was a gang hit in Grant Park. Victor Gregorian, heroin dealer killed. They got his whole family: Wife, two little kids. Now, it looks like one of the shooters got ID'd and rolled over on the other two. According to the Chicago office, he was the primary witness but the file is incomplete. And we don't have his name. DANNY: So Greg Pritchard was the shooter and the rat. MARTIN: And now he's settled in to this humdrum life, coaching little league and running a dry cleaning business? JACK: Well, not everyone gets a second chance at life. It's better than the life he had before. And there he is, living the American Dream. MARTIN: You know, that's what his buddy, Nick said to me. It was like he was on a mission. DANNY: So who caught up with him? Someone he ratted on or one of Gregorian's friends looking for revenge? JACK: Danny, I want you to keep your ear to the ground and find out what you can about a hit. (DANNY stands up and leaves.) JACK: Martin, call the U.S. Attorneys office and see what you can find out about the Gregorian case. (An AGENT walks up to the table.) AGENT: Cops found Pritchard's car in a parking lot three blocks from his dry cleaning office. JACK: That doesn't make any sense. SAMANTHA: Unless he switched cars. CUT TO: SCENE #21: [EXT. PRITCHARD'S CLEANERS -- DAY] (SAMANTHA and CHRIS ANDERS/QUINCE exit the building.) SAMANTHA: (pointing) So this is where you park your car? Your car -- brown '87 cutlass ... (SAMANTHA points to an empty parking stall with the sign, PRITCHARD'S CLEANERS / EMPLOYEE PARKING in front of it. JACK turns around to look at them.) CHRIS ANDERS/QUINCE: Uh, my car. Yeah, it's in the shop. Got a problem with the carburetor. SAMANTHA: What shop? CHRIS ANDERS/QUINCE: It's the Mobil over on sunrise. SAMANTHA: Do you have a number there? 'Cause I want to give them a call. JACK: Quince, we know you gave him the car. He's not the man you think he is, and there's a little girl in grave danger because of it. (Unsure of what to believe, CHRIS ANDERS/QUINCE looks at them both.) CUT TO: SCENE #22: [INT. SING SING PRISON -- DAY] LEGEND: 27 HOURS MISSING SING SING PRISON (The handcuffs are removed from the prisoner's wrists. He rubs his wrists.) THE RUSSIAN: Cigarette? (DANNY slides the pack of cigarettes to the prisoner. The Prisoner takes the pack.) THE RUSSIAN: So what do you want to know? DANNY: The Gregorian hit ... 1990. Have you heard anything about it recently? (DANNY holds out the light.) THE RUSSIAN: Maybe. (The Prisoner puts the cigarette to his lips and toward the light. DANNY flicks the lighter off.) DANNY: What do you want? THE RUSSIAN: I want to work in the library and not the kitchen ... and my own cell. (DANNY turns to look at the guard.) THE RUSSIAN: You know, I could get killed for it. DANNY: You give me something that'll help me get what I want you'll get what you want. (DANNY flicks the lighter back on and The Prisoner lights his cigarette.) CUT TO: SCENE #23: [EXT. PRITCHARD'S CLEANERS -- DAY] (CHRIS ANDERS/QUINCE talks with SAMANTHA and JACK outside in the parking lot.) CHRIS ANDERS/QUINCE: He calls the store yesterday at about 1:00. Sounded real messed up. Says he wants me to meet him in the mall over at the parking lot. (Quick flashback to: [MALL PARKING LOT] CHRIS ANDERS/QUINCE gets out of his car. GREG PRITCHARD and KYLE walk toward him.) CHRIS ANDERS: Hey, what's going on, Mr. P? GREG PRITCHARD: I need your help, okay? I need your car. CHRIS ANDERS: Whoa, what's going on? (Behind them in the background, they hear tires burning rubber. GREG PRITCHARD looks back nervously at a black sedan parking. He pulls KYLA closer to him.) GREG PRITCHARD: Come here, baby. (A woman gets out of the car. He relaxes a bit.) CHRIS ANDERS: Are you okay, Mr. P? GREG PRITCHARD: You don't want to know, Quince. All right, don't talk to anyone don't ask any questions, don't look around. Don't talk to anyone, not to Connie not to my wife -- no one, please! Just give me your car keys. (Without another word, CHRIS ANDERS/QUINCE gives him the car keys.) GREG PRITCHARD: Thank you. (End of flashback. Resume to present.) CHRIS ANDERS/QUINCE: Look, I swear to god, he didn't tell me where he was going and I don't know what any of this is about. SAMANTHA: You lied to a federal officer. You aided and abetted a felon. You think that's something your parole officer's going to want to hear? CHRIS ANDERS/QUINCE: Lady, if I knew anything, I would... (He looks around and snaps his fingers as he remembers something.) JACK: What? CHRIS ANDERS/QUINCE: I got Lojack. JACK: (eyebrows raised) You got Lojack in an '87 cutlass? CHRIS ANDERS/QUINCE: Yo man, I used to steal cars for a living. I know how easy it is. CUT TO: [EXT. NEW JERSEY (STOCK) - DAY] LEGEND: 29 HOURS MISSING NEW BRUNSWICK, NEW JERSEY SCENE #24: [EXT. RAYMOND RESIDENCE -- DAY] (JACK and SAMANTHA get out of the car and sees all the police cars out front.) JACK: What the hell are those idiots doing out front? (MARTIN meets up with them to fill them in.) MARTIN: Jack, listen I just got off the phone from an old buddy of mine at Justice. Pritchard wasn't one of the shooters. He was an innocent bystander. The two hit men, their convictions were overturned last year because of tainted evidence. It's going to retrial next week. JACK: So the Marshal's office is strong-arming Pritchard to testify, but he doesn't want to. SAMANTHA: But the file said it was a shooter that rolled over. MARTIN: File was incomplete, remember? The witness in the file was a shooter but he didn't turn till midway through the old trial. Up to that point, Pritchard was the only witness. JACK: If they've got the shooter, what do they need Pritchard for? MARTIN: Shooter was killed in prison last year -- retribution. Pritchard's wife was right about him all along. He was just a guy who was in the wrong place at the wrong time who decided to do the right thing. (JACK shows his ID to the officers out front.) JACK: Stand down, guys, we're going to go in easy. Martin, cover the back just in case he makes a run for it. (JACK walks up to the front door (#12130). MARTIN heads for the back of the house. JACK knocks on the door. There's no answers. He knocks on the door again. The door opens.) MRS. RAYMOND: He said you'd be coming. CUT TO: SCENE #25: [INT. RAYMOND RESIDENCE - LIVING ROOM - DAY -- CONTINUOUS] (JACK and SAMANTHA stand in the middle of the living room. On the walls are various framed photographs of GREG PRITCHARD/PETER RAYMOND at different ages. In the middle of the wall is a framed college degree.) SAMANTHA: You're Greg's mother. MRS. RAYMOND: His name is Peter. He was a college graduate a lawyer and a good man. Until you people took his life away! JACK: I'm sorry, Mrs. Raymond, I understand. But we're trying to help. MRS. RAYMOND: I hadn't heard from him for twelve years. Do you have any idea of what that is for a mother? Twelve years?! And then all of a sudden a knock on the door and there he is. (Quick flashback to: MRS. RAYMOND turns around and sees GREG PRITCHARD/PETER RAYMOND standing in the doorway.) GREG PRITCHARD (PETER RAYMOND): Hi, mom. MRS. RAYMOND: Oh, my god, Peter! (She hugs him.) MRS. RAYMOND: Oh! I thought I'd never see you again. GREG PRITCHARD (PETER RAYMOND): There's someone I want you to meet. Kyla. Say hi. (He turns around and KYLA appears. She looks at MRS. RAYMOND.) (Short time cut to: GREG PRITCHARD/PETER RAYMOND talks softly with his mother.) GREG PRITCHARD (PETER RAYMOND): I didn't want her to get hurt. I couldn't go home. I had nowhere else to go. MRS. RAYMOND: You did the right thing coming here. GREG PRITCHARD (PETER RAYMOND): Listen, I need your car. MRS. RAYMOND: Of course. GREG PRITCHARD (PETER RAYMOND): Poor Sarah, she must be pulling her hair out. But you can't call her until I've had time to get far enough away. Twenty-four hours, okay? This time tomorrow you call her and you tell her Kyla's safe ... and I love her. Okay? (GREG PRITCHARD hugs his mother. In the middle of the living room, KYLA is coloring in a coloring book. GREG picks KYLA up and they head for the front door.) GREG PRITCHARD (PETER RAYMOND): All right, come on, honey, let's go outside and talk to daddy. Come on. (They both walk out of the house through the front door. GREG hesitates and looks back at his mom. She waves him good bye. He walks out.) (End of flashback. Resume to present.) (KYLA walks into the room. She looks around.) KYLA: Grandma? Grandma, who are all these people? (JACK looks at SAMANTHA. KYLA walks over to her grandmother.) (JACK'S cell phone rings. He answers it.) JACK: (to phone) Yeah. (pause) Okay. (pause) Okay. Give the Russian his sun. (JACK hangs up his phone and looks at SAMANTHA.) JACK: (very quietly) That was Danny calling from Sing-Sing. There is a hit on Pritchard. SAMANTHA: What do we do now? (JACK looks at MRS. REYNOLDS and KYLA. SAMANTHA turns around to look at them, too. Camera holds on MRS. REYNOLDS and KYLA.) FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. NEW YORK CITY (STOCK) - DAY] LEGEND: 30 HOURS MISSING SCENE #26: [INT. FBI - HALLWAY - DAY] MARTIN: (to the AGENT) Good. All right, thanks. Go ahead and send that out. (The FEMALE AGENT walks away. DANNY meets up with MARTIN.) MARTIN: What's up? DANNY: According to the Russian, there is a hit out on him but it didn't go out until yesterday. The day after Greg took off. MARTIN: The day after? That doesn't make any sense. DANNY: I know. MARTIN: I thought the mob was on to him and that's why he ran. DANNY: Apparently not. I bet you the mob didn't even know he was alive until they saw his picture on tv. MARTIN: All right, we know the marshals were pressuring him he was moving his money around, he was getting ready. So why does this guy take off before he's finished and expose himself like that? DANNY: I don't get it. MARTIN: And neither do I. CUT TO: SCENE #27: [INT. PRITCHARD'S RESIDENCE -- DAY] (VIVIAN walks up to SARAH PRITCHARD who is sitting on the sun chair with a blanket over her.) VIVIAN: Kyla's safe. (VIVIAN sits down.) SARAH PRITCHARD: (eagerly) She is? Where is she? VIVIAN: On the way to the FBI office. I can take you there right now. (SARAH stands up and heads for the house.) SARAH PRITCHARD: What about Greg? VIVIAN: We don't know. SARAH PRITCHARD: Well, where did they find her? VIVIAN: At his mother's. (SARAH PRITCHARD stops walking toward the house and turns around to look at VIVIAN.) SARAH PRITCHARD: His mother? CUT TO: SCENE #28: [INT. FBI - CONFERENCE/WAITING ROOM -- DAY] (Inside the conference room, MRS. REYNOLDS and KYLA PRITCHARDS sit on the couch. DANNY and JACK confer on the side.) DANNY: So that's it? JACK: It's the Marshal's case now. (SARAH PRITCHARD and VIVIAN walk through the hallway. SARAH sees KYLA and rushes for her. She takes her daughter in her arms.) SARAH PRITCHARD: Kyla, Kyla! KYLA PRITCHARD: Mommy! SARAH PRITCHARD: Oh, mommy's here, mommy's here. Mommy's here. (MRS. REYNOLDS stands and walks toward them.) MRS. REYNOLDS: I'm Peter's mother. (SARAH looks at MRS. REYNOLDS.) SARAH PRITCHARD: Peter? CUT TO: SCENE #29: [INT. FBI - BULLPEN -- DAY] (SARAH PRITCHARD walks with KYLA through the bullpen. She along with MRS. REYNOLDS head for JACK who is standing in front of the whiteboard. He turns around when she calls to him.) SARAH PRITCHARD: Excuse me. We need to speak to you. (to KYLA) Just tell them everything you told me, sweetheart. KYLA PRITCHARD: We were going to the store because I like to play with the buttons before school. (Quick flashback to: [EXT. PRITCHARD'S CLEANERS - DAY] GREG PRITCHARD and KYLA head for the front of the business. KYLA is skipping along the way. They head for the front door when they hear tires screech. GREG turns around and sees a black sedan park across the street and two men in black get out of the car.) (GREG turns and sees KYLA standing exposed in the parking lot. He grabs her and heads for his car.) GREG PRICAHRD: Kyla! KYLA PRICHARD: Daddy, daddy! (GREG puts KYLA into the car.) GREG PRITCHARD: Get down, get down. (End of flashback. Resume to present.) KYLA PRITCHARD: He told me to lie down on the floor and that we were playing hide-and-go-seek with the men in the coats. (SARAH picks KYLA up.) SARAH PRITCHARD: Please help us. We need to find him. (VIVIAN turns to look at JACK.) JACK: Mrs. Pritchard, your husband hasn't broken any laws. He's free to come and go as he pleases. (Through the glass walls, JACK sees CHUCK from the US Marshal's office walk rapidly through to the office.) JACK: Excuse me. (JACK heads CHUCK off.) CHUCK: I need to speak to the girl. JACK: Actually, we're taking her statement right now. It'll be a few hours. (As if on cue, DANNY gathers SARAH, KYLA and MRS. REYNOLDS and ushers them out of the office.) CHUCK: Don't be stupid, Jack. You've got the girl. Now back off. JACK: You back off, you ambitious bastard. You think I don't know what's going on? Prichard refused to testify. You got pressure from the U.S. Attorneys' office. You dressed two of your own men to make it look like a hit. You thought he'd come running to you begging for protection but it backfired, didn't it? CHUCK: Those two murderers are going to walk if he doesn't testify. JACK: You know what? Now he really has a hit on him. (CHUCK doesn't say anything. It appears that this is news to him.) JACK: What'd you think was going to happen with his face all over the news? CHUCK: We were just trying to do what was right, Jack. JACK: Yeah, that's what scares me. CUT TO: SCENE #30: [INT. FBI - BULLPEN -- DAY] (VIVIAN continues to get information from KYLA.) VIVIAN: What else did he say, Sweetie? KYLA PRITCHARD: He said everything would be okay. (Quick flashback to: [EXT. REYNOLDS' RESIDENCE - FRONT PORCH - DAY] ) KYLA PRITCHARD: Are you leaving me? GREG PRITCHARD/PETER REYNOLDS: I have to, pumpkin. I have to so bad men can't hurt us. It's the only way I can protect you and mommy. KYLA PRITCHARD: Are the bad men going to get you? GREG PRITCHARD/PETER REYNOLDS: No, baby. I'm going to be okay. KYLA PRITCHARD: Where are you going? GREG PRITCHARD/PETER REYNOLDS: I'm going to start a baseball team with the Eskimos. KYLA PRITCHARD: (laughs) The Eskimos? GREG PRITCHARD/PETER REYNOLDS: Yeah. Haven't you seen an Eskimo play baseball? (End of quick flashback. Resume to present. (SARAH PRITCHARD stands up.) SARAH PRITCHARD: Alaska. He loves Alaska. (SAMANTHA joins them. JACK turns to listen to what she has to say.) SAMANTHA: We just got a charge on his mother's credit card. A sporting goods store in Seattle. SARAH PRITCHARD: (to JACK) Please? (JACK sighs.) JACK: What did he buy? SAMANTHA: A pair of boots, long underwear, socks and a fishing jacket. CUT TO: SCENE #31: [EXT. ALASKA - SHIPPING PIER] LEGEND: 45 HOURS MISSING (On the pier of the anchored SEA-BIRD, JACK and SAMANTHA make their way through the people off-loading their boats. A ship's horn blows in the background.) JACK: (to mic) Check. Okay. Yeah, we got him. (to SAMANTHA) They spotted him on the north dock. Let's go. (GREG PRITCHARD walks off of the docks and toward the pier. JACK and SAMANTHA walk up to him. JACK holds out his ID.) JACK: Mr. Pritchard -- FBI. GREG PRITCHARD: Just leave me alone. (GREG PRITCHARD side steps them and continues on.) JACK: Your wife knows everything. She wants to talk to you. GREG PRITCHARD: No, no, no. I need to go away as far from them as I can. I can't put them in harm's way another moment. I don't want them leading this kind of life looking over their shoulders! SAMANTHA: Don't you think Sarah should decide what she wants? GREG PRITCHARD: You're just trying to manipulate me into testifying. JACK: We are in no position to tell you what to do on that count. That's your decision. (GREG looks at JACK and finally understands.) GREG PRITCHARD: So you're just here on her behalf? (JACK nods.) JACK: (quietly) We can help. CUT TO: SCENE #32: [EXT. FEDERAL COURTHOUSE -- DAY] LEGEND: FEDERAL COURTHOUSE CHICAGO, ILLINOIS (JACK and TEAM wait outside the Federal Courthouse. They look around as if waiting for something to happen.) REPORTER 1 (MAN): (v.o.) The retrial for the infamous Gregorian slayings concluded today with final testimony from an eyewitness who remains anonymous. (OVERLAP) REPORTER 2 (WOMAN): (v.o.) Reporting live from outside the Federal Courthouse here in Chicago, the testimony for the Gregorian murder trial has adjourned for the day. Sources inside say that the case has taken a sudden turn for testimony on a previously unknown eyewitness to the shooting. (OVERLAP) REPORTER 3 (MAN): (v.o.) The federal prosecutors are optimistic they'll be able to secure a second conviction ... over twelve years ago was connected to organized crime. (CHUCK and JACK escort GREG PRITCHARD/PETER REYNOLDS out of the courthouse.) (They walk toward the parked black sedan. Just outside the police barrier, there are news reporters covering the event.) (Cut to: A man looks through the SCOPE of his gun down on the agents and witness below.) (Cut to: The news reports try to get their attention.) (Cut to: GREG PRITCHARD/PETER REYNOLDS and JACK walk toward the car.) (A gunshot rings out. GREG PRITCHARD/PETER REYNOLDS falls to the ground. The news reporters scramble. CHUCK and JACK try to get GREG PRITCHARD/PETER REYNOLDS out.) JACK: (looking up) On the roof! On the roof! (MARTIN aims toward the roof and fires several times at the figure running across the building roof.) (The cameras point upward to get the footage.) (Cut to: JACK and CHUCK help GREG PRITCHARD/PETER REYNOLDS.) (CHUCK opens the car door. JACK and helps GREG/PETER inside.) JACK: Go! (The doors close and the car speeds off.) DISSOLVE TO: SCENE #33: [EXT. PRITCHARD RESIDENCE -- DAY] (JACK exits the car. Standing outside the front of the house are SARAH, KYLA and MRS. REYNOLDS. VIVIAN and JACK walk up to them.) VIVIAN: (takes off her glasses) (solemnly) I'm so sorry. JACK: Do you mind if I borrow her for a minute? SARAH PRITCHARD: No. JACK: (to KYLA) Sweetie. (JACK takes KYLA by the hand and leads her off to the yard some distance away from everyone.) (JACK takes off his glasses and turns to look at KYLA.) JACK: (whispering) Your father asked me to give you something but you have to keep it a secret. KYLA PRITCHARD: Okay. JACK: I mean it. It's a very big secret. (KYLA motions as if she's locking her mouth with a key. JACK takes out a slip of paper from his pocket.) JACK: Okay. Now, this ... is an email address. You know what an email address is for? KYLA PRITCHARD: To talk on the computer. JACK: That's right. You can talk to your daddy with this. Can you read it? KYLA PRITCHARD: "Eskimo225" JACK: Right. Put this in your pocket, okay? Here you go. Your mom can help you with that, okay? KYLA PRITCHARD: Okay. (Cut to: SARAH PRITCHARD stands next to VIVIAN. She looks up at VIVIAN and asks.) SARAH PRITCHARD: How long till it's safe? VIVIAN: At least a year. It looks like you're finally going to get to see the midnight sun. SARAH PRITCHARD: (smiles) Yeah. LYRICS: ["Goodbye" by Steve Earle] I remember ... (KYLA walks away from JACK and heads back to her mom.) LYRICS: holdin' on to you ... (SARAH looks over at JACK. JACK puts his sunglasses back on. VIVIAN smiles and walks back to JACK where they both head to the car. SARAH and KYLA head back into the house.) LYRICS: / all them long and lonely nights / I put you through / somewhere in there I'm sure I made you cry ... (The car drives off.) LYRICS: but I can't remember if we said goodbye FADE TO BLACK. ======================== THE END ======================== [Captioning sponsored by CBS and Warner Bros. Television Captioned by Media Access Group at WGBH access.Wgbh.Org] Courtesy of http://www.webphilia.com/~anthology/wnp.html Contact the Transcriptionist at (intrepidly002@yahoo.com) Please do not archive this transcript without permission from the Transcriptionist. ======================== BEGINNING/TITLE CREDITS ======================== WITHOUT A TRACE 1X10: MIDNIGHT SUN ORIGINAL AIR DATE ON CBS: 12/12/2002 TRANSCRIBED FROM CBS Starring ANTHONY LaPAGLIA as Jack Malone POPPY MONTGOMERY as Samantha Spade MARIANNE JEAN-BAPTISTE as Vivian Johnson ENRIQUE MURCIANO as Danny Taylor ERIC CLOSE as Martin Fitzgerald Created by: HANK STEINBERG Guest Starring BRETT CULLEN as Greg Pritchard DANA WHEELER-NICHOLSON as Sarah Pritchard TOMAS ARANA NIGEL THATCH PASHA D. LYCHNIKOFF BRYN LAUREN LEMON HILARY SALVATORE VASILI BOGAZIANOS Producer: JAN NASH Producer: GREG WALKER Produced by: STEVE BEERS Co-Executive Producer: JACOB EPSTEIN Executive Producer: HANK STEINBERG Executive Producer: JONATHAN LITTMAN Executive Producer: ED REDLICH Written by HANK STEINBERG Directed by MICHELLE MacLAREN ======================== END CREDITS ======================== Executive Producer: JERRY BRUCKHEIMER JERRY BRUCKHEIMER Television CBS Productions Warner Bros. Television, An AOL Time Warner Company www.warnerbros.com Associate Producer: NANCY VAN DOORNEWAARD Executive Story Editor: ALLISON ABNER Director of Photography: JOHN PETERS Production Designer: AARON OSBORNE Editor: DAVID J. SIEGEL, A.C.E. Music by PETER MANNING ROBINSON Theme by: JOHNNY KLIMEK and REINHOLD HEIL Unit Production Manager: SCOTT WHITE First Assistant Director: JOHN SCHERER Second Assistant Director: KRISTIN KILLEY Casting by: GARRY M. ZUCKERBROD, C.S.A. Casting by RONNA KRESS, C.S.A. and TRACY KAPLAN, C.S.A. Guest Starring GWEN VAN DAM as Emma ION OVERMAN as Alice/Denise VANESSA MARANO as Jack's Daughter ERIC SCOTT GOULD as Agent MAGDA HAROUT as Connie Technical Advisor: MARK LLEWELLYN Set Decorator: JEANNIE GUNN, S.D.S.A. Property Master: JOHN HARRINGTON Costume Designer: LUKE REICHLE Costume Supervisor: SUE BUB Make-up Artist: TINA ROESLER KERWIN Hairstylist: STEPHEN A. ELSBREE Production Sound Mixer: JAY PATTERSON, C.A.S. Script Supervisor: KATHLEEN MULLIGAN Special Effects: DAN LESTER Supervising Sound Editor: VICTOR IORILLO Music Supervisor: JASON ALEXANDER Music Editor: MELISSA FERGUSON Re-recording Mixers: YURI RESSE / BILL SMITH Film Processing by FOTOKEM Main Title Design by SKIP FILM Visual Effects by ASYLUM cbs.com FBI Technical Advisors: DENNIS BONELLI / JENNIFER A. BLEIER The producers wish to thank the New York office of the FBI for their help and cooperation. The characters and events depicted in this motion picture are fictional. Any similarity to any actual person, living or dead, or to any actual events, firms, and institutions or other entities, is coincidental and unintentional. This motion picture is protected under the Laws of the United States and other countries, and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution. Copyright 2002 Warner Bros. Television. All Rights Reserved Production #175652 Country of first publication United States of America Warner Bros. Television is the author of this film/motion picture for the purpose of Article 15 (2) of the Berne Convention and all national laws giving effect therein. Dated:05/25/2003~lky http://www.webphilia.com/~anthology/wnp.html