WITHOUT A TRACE 1X20: NO MAS ORIGINAL AIR DATE ON ABC: 04/24/2003 TRANSCRIBED FROM ABC Written by GREG WALKER Directed by PAUL HOLAHAN Transcript by Intrepid Courtesy of http://www.webphilia.com/~anthology/wnp.html Please do not archive this transcript without permission from the Transcriptionist. (Zenith the authority in HDTV) RATING: TV-PG-LV ========================== DISCLAIMER: ========================== "WITHOUT A TRACE" and other related entities are owned, (TM) and (c) by JERRY BRUCKHEIMER Television, CBS Productions, and Warner Bros. Television (an AOL Time Warner Company). All Rights Reserved. This transcript was made without their permission, approval, authorization or endorsement. Any reproduction, duplication or distribution of this material in any form is expressly prohibited. It is absolutely forbidden to use it for commercial gain. CONDITIONS OF USE: (1) Do not alter the content of this file. (2) Leave the headers/disclaimers in tact because it lists all those who have made this transcript possible for your enjoyment. (3) Provide a link back to the site where this file originated: http://www.webphilia.com/~anthology/wnp.html Contact the Transcriptionist at (intrepidly002@yahoo.com) ========================== SUMMARY: A boxer disappears on the night of a big fight. Many believe it's a stunt, but Vivian believes otherwise. ========================== WITHOUT A TRACE 1X20: NO MAS ========================== FADE IN [EXT. NEW YORK CITY (STOCK) - NIGHT] SCENE #01: [INT. ARENA - NIGHT] (The arena is filled with spectators there to watch the boxing match. The crowd cheers.) (Cut to: In the backroom, DANTE JONES warms up. (GIL, the TRAINER, stands up and approaches DANTE.) GIL (TRAINER): Easy, easy, Dante. Save some for later. DANTE JONES: I'm cool. (GIL backs off and sits back down. The door opens and CHRIS ROLAND, the promoter, walks into the small room.) CHRIS ROLAND: Whoo! Yeah! All right, champ, how you feeling? DANTE JONES: Fine. (CHRIS ROLAND looks around the room.) CHRIS ROLAND: Good. Where's your brother? DANTE JONES: I don't know. CHRIS ROLAND: Well, you know Dre. Going to stroll in with couple babes right before the bell, huh? Hey, I saw Marquez out in the hallway. Kid looks like he's going to crap his shorts. This fight's already won, baby. You just got to do what you do. (DANTE doesn't crack a smile. He looks over at GIL and catches his look. GIL stands up and intervenes.) GIL (TRAINER): All right, all right, all right. Dante's had enough company, okay? CHRIS ROLAND: Yeah. GIL (TRAINER): He needs some alone time now, huh? CHRIS ROLAND: All right, all right. You get him, champ. (CHRIS walks out of the room. GIL moves to follow him. He turns around and asks.) GIL (TRAINER): You need anything, kid? DANTE JONES: No, I'm good. Thanks. (GIL walks out of the room and closes the door behind him. In the background the crowd cheers.) (DANTE stops moving and stands up. The camera movies forward and he vanishes. CUT TO: (Outside the crowds wait for the fight to begin.) SCENE #02: [INT. ARENA - BACK AREA -- NIGHT] (Camera opens on a poster of DANTE JONES.) CHRIS ROLAND: (on phone) Gone, he's really gone. Yes, I know what this means. When was the last time you saw him? CUT TO: [STAIRWAY - CONTINUOUS] (VIVIAN and REGGIE make their way down the stairway to the back area of the arena. They each have special passes around their necks.) REGGIE: (smiling) Think I'll get his autograph? VIVIAN: You can ask him when he comes out of the locker room, but make sure to wish him luck. I'll tell him to win so he gets to the title shot. REGGIE: Oh, can we go to that fight, too? VIVIAN: Hey, lets watch him win this fight first. (VIVIAN walks up to the guard, DAVE, and shakes his hand.) VIVIAN: Hey, Dave, thanks very much for the backstage passes. DAVE (GUARD): I'm sorry there's nothing to see. Nobody can find the Jones kid. VIVIAN: What? No show? DAVE (GUARD): No, he was here, but according to the trainer, he left him a couple of minutes alone in his room. (REGGIE sighs in disappointment.) They checked back in, he was gone. Guess he got cold feet. REGGIE: What's cold feet? VIVIAN: It means he ran, which he didn't. What's going on down there? DAVE (GUARD): Guard covering that exit went AWOL. VIVIAN: So the fight's off? DAVE (GUARD): For now, it is. (VIVIAN looks up and sees CHRIS ROLAND talking with another guard.) CHRIS ROLAND: (to the guard) It was, it was 20 minutes ago. It was 20 minutes ago? (to the phone) It was 20 minutes ago - (VIVIAN looks at REGGIE.) VIVIAN: Look, hang tight for a sec. Okay? DAVE (GUARD): Sorry kid. (VIVIAN takes out her cell phone and steps aside.) VIVIAN: (to phone) Hey, yeah, it's me. Ah, you got to come pick up Reggie. (pause) Yeah, I've got to work. (Camera pans over to the poster of DANTE JONES and moves in for an extreme close up.) FADE TO WHITE END OF TEASER ROLL TITLE CREDITS (COMMERCIAL SET) FADE IN. [EXT. NEW YORK CITY (STOCK) - DAY] LEGEND: 12 HOURS MISSING SCENE #03: [INT. FBI - BULLPEN -- DAY] (DANNY reads out loud the information on the back of the photograph of DANTE JONES. He heads for the ) DANNY: Dante Jones, 25-year-old welterweight, 28 wins, one loss. He's got a fearsome left jab and a heart like a bull. VIVIAN: Right jab, he's left handed. DANNY: Sorry. JACK: NYPD check out his apartment yet? VIVIAN: No, not yet. He lives in the Bronx with his mother. His brother lives a couple of blocks away. DANNY: Good for him. He stayed in the old hood. VIVIAN: The cops did a full search of the arena. No evidence of foul play, but a security guard who was covering the nearest exit skipped out at some point that night. JACK: Anybody find the security guard yet? VIVIAN: No. (JACK sighs.) JACK: Look, I got to tell you, this sounds a lot like a publicity stunt to me. VIVIAN: What? Why? JACK: Well ... Think about it. By the end of the day, Dante Jones is going to be the lead story on every newscast in America. I mean, it's better than biting somebody's ear off. VIVIAN: Hey, I know boxing is a dirt business, but this kid is clean. DANNY: Viv, are you and Dante dating, or ... JACK: Hey, I'd watch it if I were you. She's got a wicked left hook. Takes you by surprise. DANNY: That's good to know. VIVIAN: As I was saying, he's done a ton of charity work. He went to night school to get his college degree. I mean, this kid came up the right way. He had a thousand opportunities to slip, but he didn't. DANNY: So he's ... immune? VIVIAN: Look, if he had won that fight last night, he'd have had a guaranteed shot at the title. He was the two-to-one favorite. $500,000 purse? Believe me, he didn't run away. JACK: Okay. Danny, I want you and Samantha to check on the security guard, see if you can find him. Uh, Vivian, you and Martin talk to the family, talk to the trainer. I'm going to go talk to Don King. (DANNY leaves the table. VIVIAN stands up.) JACK: How's Reggie? VIVIAN: He's a little confused. He was about five minutes away from meeting his hero, and then this happened. (JACK stands up.) JACK: What'd you tell him? VIVIAN: I told him I'd find out what happened. JACK: That's a hell of a promise. (JACK turns and walks toward the door.) CUT TO: [EXT. NEW YORK CITY (STOCK) - DAY] SCENE #04: [INT. JONES' RESIDENCE -- DAY] (MARTIN and VIVIAN interview MRS. JONES.) MRS. JONES: I don't know what could have happened. Dante was so excited about last night. It meant so much to him. MARTIN: Ah, were you at the fight? MRS. JONES: I stayed at home. I support him in every way I can but it's always hard for me to ... get near that ring. VIVIAN: Has Dante had any problems with anyone lately? MRS. JONES: Not that I can think of. VIVIAN: Girlfriend troubles? MRS. JONES: He hasn't had a steady girl in a couple of years. VIVIAN: Can you try and walk us through yesterday? MRS. JONES: He, um ... has this ritual that he before every fight. We stay at the gym in the Catskills and then we drive into town in the morning. I make him grilled cheese, pea soup, and then he takes a nap right here, on the couch. VIVIAN: And what time did he leave for the fight? MRS. JONES: About 5:00. The promoter sent a limousine, but Dante doesn't go in for all that star treatment. He takes the subway by himself. VIVIAN: And your son, Andre? MRS. JONES: He wasn't at the fight. VIVIAN: Why not? MRS. JONES: He and Dante are very close, but you know brothers. (Quick flashback to: DANTE is teasing his mother at the practice ring.) DANTE JONES: Come on ma! Stick your move, stick your move! (He playfully jabs her.) MRS. JONES: You think you can take me, huh? Careful boy, I brought you into this world, I can take you out, okay? (She laughs. They hug.) MRS. JONES: Sweaty kiss! (ANDRE walks into the practice area.) ANDRE JONES: Hey, bro! What up? (DANTE turns to look at ANDRE and doesn't smile when he notices the other man that ANDRE is with.) ANDRE JONES: How you doing, ma? MRS. JONES: Hey, baby. ( Exaggerated kiss ) DANTE JONES: What are you thinking? ANDRE JONES: Hey man, we just rolled up from the city to see how you were doing. You two know each other, right? BOOKIE: What's up, champ? DANTE JONES: You know you're not supposed to bring him here. ANDRE JONES: We just wanted to drop in, man. No big deal. DANTE JONES: Dre ... do you want me to take care of it? I don't want to see you up here again, you hear me? (Angry and upset, DANTE turns away from ANDRE and heads for his TRAINER and starts in on his practice routine.) ANDRE JONES: Dante, man! GIL (TRAINER): Come on, get your head in gear. That's it. MRS. JONES: (to ANDRE) Just, just go, okay? Just go ... please. (ANDRE and GUEST leave.) GIL (TRAINER): (b.g.) Come on, kid, that's it. That's it, that's it. Hey, come on. That's it, work off the jab. There it is. (End of flashback. Resume to present.) MARTIN: And when was that? MRS. JONES: Couple of days before the fight. VIVIAN: You haven't seen Andre since? MRS. JONES: He called, said he was going to Vegas. VIVIAN: Do you know where he's staying? MRS. JONES: He didn't say. I tried to call him on his cell phone, but he never answered. I thought maybe he heard about Dante and jumped on a flight back here. MARTIN: And who was the guy that was with him? MRS. JONES: I'd never seen him before. Dante said that he was one of Andre's little drug buddies. CUT TO: WHITEBOARD TIMELINE: 2DBD - FIGHT WITH BROTHER AND DRUG CONNECTION? SCENE #05: [INT. FBI - INTERVIEW ROOM -- DAY] (DANNY and SAMANTHA interview RON MOODY, the guard.) SAMANTHA: You were supposed to guard the exit, Ron. RON MOODY: I took off. I wasn't feeling well. DANNY: Where have you been all night? The cops were looking for you. RON MOODY: I was with a lady friend. SAMANTHA: Thought you weren't feeling well. RON MOODY: You're never too sick for some things, you know? SAMANTHA: Mm. DANNY: I get it. We're playing the "let's watch Ron screw up the rest of his life" game. RON MOODY: I swear to god, I don't know anything. DANNY: Hundred points for feigning ignorance SAMANTHA: Two years, you've been steady, responsible, reliable. One night, you take off. Half an hour later, a boxer disappears. Now, I don't think that's a coincidence, Ron. RON MOODY: I don't know what to tell you. DANNY: Another hundred points for lying to a federal officer. Bonus round's coming up. SAMANTHA: Don't stop now ... you've almost got the dinette set. RON MOODY: : All right. I was just standing there, minding my own business. These two guys came up to me told me to clear out. SAMANTHA: See? I like this game a lot better, don't you? DANNY: Me too. SAMANTHA: What else? RON MOODY: They looked like made guys to me. SAMANTHA: Did you do exactly what they asked you to do? RON MOODY: I'm not paid enough to get involved with that crap. I'm not even armed. DANNY: Did you get a good look at them? RON MOODY: Yeah, I guess. DANNY: I need you to look at some photos, okay? RON MOODY: Yeah, fine, whatever. CUT TO: SCENE #06: [INT. FBI - HALLWAY - DAY -- CONTINUOUS] (SAMANTHA and DANNY exit the interview room and head down the hallway past the observation window.) SAMANTHA: So, Jones spent the evening before the fight at his training facility in the catskills. Jack wants us to head up there. DANNY: (to AGENT) Keep digging into this guy's background. I don't trust him. (Inside the interview room, RON MOODY sits at the table.) CUT TO: SCENE #07: [INT. ARENA - MAIN RING -- DAY (JACK stands in front of the empty ring. He visualizes DANTE JONES inside the ring sparing. DANTE JONES disappears.) CHRIS ROLAND: Agent Malone. JACK: Mr. Roland. CHRIS ROLAND: How are you? JACK: Fine, thank you. CHRIS ROLAND: I really don't know what to say, you know? Opportunity of a lifetime, and the kid just walks away. JACK: Must have been disappointing. CHRIS ROLAND: Yeah, it is. I, uh, I believed in Dante and I lost a lot of money on him. JACK: But you were insured for the fight, right? In case of postponement beyond your control? CHRIS ROLAND: What are you inferring? JACK: Well, you and I both read the same papers. It's a big story. Rematch is an even bigger payday. CHRIS ROLAND: Are you kidding me? Do you have any idea what this is doing to my credibility right now? JACK: Mr. Roland, all due respect, but, uh, you're involved in boxing. I don't think your credibility is in any jeopardy. CHRIS ROLAND: Okay, fair enough, I, I understand your perception. The government shares it. That's why they want a boxing czar. But for us, boxing is a business and it should be run like one. JACK: Okay, if Dante walked away, how do you explain the vanishing security guard? CHRIS ROLAND: I can't. I wasn't in charge of security. JACK: What about his brother? CHRIS ROLAND: I think everybody is aware of Andre's problems. But he's got a good heart and he's loyal to his brother. JACK: We haven't found him. Have you heard from him? CHRIS ANDERS: No, but the brothers were close. Maybe they're together. CUT TO: SCENE #08: [INT. TRAINING FACILITY - DAY] LEGEND: 16 HOURS MISSING (VIVIAN and MARTIN question DANTE'S TRAINER.) GIL (TRAINER): There's a thousand ways to quit a fight, but I never seen anyone just walk away. And Dante, never. MARTIN: Well, there are a couple of guys who may be involved in organized crime who were looking for Dante that night. Any idea what that was about? GIL (TRAINER): No, Dante was clean. His biggest problem was his brother. Every time Andre'd get in a jam, Dante'd bail him out. MARTIN: With money? GIL (TRAINER): Whatever it took. VIVIAN: His fists? GIL (TRAINER): They're his best assets. VIVIAN: Dante and Andre got into an argument up in the Catskills over some guy that Andre brought up to the camp. You were there. Did you recognize the guy? GIL (TRAINER): Never seen him in my life. I tried to tell him to let Andre deal with Andre, but Dante felt responsible for him. Sometimes the pressure'd get to be too much, he'd just crack. VIVIAN: How so? GIL (TRAINER): Well, the night before the fight, I went back into the city to take care of some last-minute business, and Dante called me. (Quick flashback to: DANTE JONES on the telephone.) DANTE JONES: Gil? It's me. GIL (TRAINER): What's going on, kid? You okay? DANTE JONES: It's all screwed up. GIL (TRAINER): Whoa, hold, hold on, what's wrong? DANTE JONES: It's all my fault. GIL (TRAINER): What is? DANTE JONES: I'm sorry for everything. GIL (TRAINER): Wait, wait... (DANTE hangs up. End of flashback. Resume to present.) VIVIAN: What was he so wrecked about? GIL (TRAINER): I asked him before the fight. He said he didn't want to talk about it. CUT TO: SCENE #09: [EXT. CATSKILLS TRAINING FACILITY -- DAY] LEGEND: CATSKILLS TRAINING FACILITY 18 HOURS MISSING (The car screetches down the dirt road and stops in front of the facility. DANNY and SAMANTHA exit the car.) DANNY: I got to tell you, I don't understand why anyone would come all the way out here just to get in shape. I got 19 gyms a block away from my apartment ... SAMANTHA: You also have three gentleman's clubs within walking distance. DANNY: Yes, uh, I like a little variety in my workout. (SAMANTHA points to the left of her.) SAMANTHA: I'm going this way. (DANNY points to the right of him.) DANNY: I'm going this way. SAMANTHA: (sings out) Bye. (SAMANTHA walks up to the first building. The door is ajar. She pushes the door open and calls inside.) SAMANTHA: Hello? (Cut to: DANNY walks inside another building. He turns and sees a man walking at the far end of the room. The man swings around and lifts up his weapon. He points and fires.) (The bullets miss DANNY and hit the punching bag sending sand and dust flying in the air. DANNY jumps to the side behind the couch and an old trunk. He aims and fires back.) (The man gets off a couple of shots that hit and break the lamp on the table.) (Cut to: SAMANTHA walks out of her building with her weapon drawn. She rushes to the edge of the porch and aims her weapon at the retreating vehicle.) (The vehicle gets away. She turns and yells out.) SAMANTHA: Danny! HARD CUT TO BLACK. (COMMERCIAL SET) FADE IN. SCENE #10: [EXT. CATSKILLS FACILITY - DAY] LEGEND: 19 HOURS MISSING [CAMERA FAST FORWARD] (Starting with a blank sketch pad the composite artist draws a picture of the shooter from DANNY'S description.) [CAMERA RESUME MOTION] (SAMANTHA'S on the side on the phone.) JACK: (from phone) How's he doing? SAMANTHA: (to phone) Well, he'll never admit it, but he's a little amped up. INTERCUT WITH: JACK: Do you think he needs to be released? SAMANTHA: It's Danny. He'll be fine. JACK: Okay. Did he get a look at the shooter? SAMANTHA: Yeah. He's giving the sketch artist a composite right now. We'll fax it to you. JACK: Okay. Stick around, all right? See what you can dig up. SAMANTHA: You got it. Bye. (SAMANTHA hangs up and joins DANNY.) CUT TO: SCENE #11: [INT. FBI - BULLPEN - DAY -- CONTINUOUS] (JACK and VIVIAN sit at the conference table.) JACK: Okay, what do we got on, uh, what's his name ... Andre, the brother? VIVIAN: Yeah. No luck with the, uh, Vegas field office. They can't find him at any of the hotels. JACK: Anything on Dante's finances? VIVIAN: He had at least five people on his payroll including his mother and his brother. His combined income over the last five years is $2 million, and all he has in his savings is a little over six grand. JACK: There's a lot of ways for a broke boxer to get in trouble. VIVIAN: Couple of items stand out: A check for $50,000, made out to an escrow company in long island a week before he disappeared. JACK: Big purchase for a guy with low funds. VIVIAN: Oh, he was expecting a big payday. And there's also a series of monthly checks paid to a Danielle Marks for the past year. JACK: Girlfriend? VIVIAN: Well, according to his mother, he didn't have one. JACK: Mistress, palimony? VIVIAN: Or both. JACK: (sighs) Okay. I'll check out Danielle Marks. You and Martin check out the real estate deal. CUT TO: SCENE #12: [INT. FBI - INTERVIEW ROOM -- DAY] (VIVIAN and MARTIN interview MARISSA KELLY) VIVIAN: We got your name from the escrow company. Their record show that you sold Dante Jones a house last week. MARISSA KELLY: Yes. Dante called me a few months ago. He saw our ad in ... (Quick flashback to: DANTE flips over the page of the binder with the pictures of listings.) MARISSA KELLY: (v.o.) ... the Sunday Times. DANTE JONES: How much is this one? MARISSA KELLY: Uh, $3.5. (Wide-eyed, DANTE looks at MARISSA.) DANTE JONES: Million? MARISSA KELLY: Million. DANTE JONES: (laughing) Any way you can shave off a zero or two? MARISSA KELLY: Wouldn't that be great? DANTE JONES: Man, I don't know what I'd do with a house that big. I guess I'd need kids and stuff, you know, fill up the place. MARISSA KELLY: Are you married? DANTE JONES: Me? No, no. It's just my mother, and brother, and ... I got to have room for them, too. MARISSA KELLY: Oh. W-will they be living with you? DANTE JONES: No, but they'll be around. They're, um, always around. (End of flashback. Resume to present.) MARISSA KELLY: Couple weeks later, he found a house he liked out in Port Jeff. MARTIN: Far cry from the Bronx. MARISSA KELLY: He wanted something very different from where he grew up. CUT TO: SCENE #13: [INT. FBI - HALLWAY -- DAY] (VIVIAN and MARTIN discuss the latest interview while walking through the hallway.) VIVIAN: Buying a dream house, talking about starting a family ... Doesn't sound like a guy who was planning to run. MARTIN: Want to know the part I heard? This guy felt trapped by his life, and he wanted a clean start. VIVIAN: You sound pretty convinced. MARTIN: Just speaking from experience. CUT TO: WHITEBOARD TIMELINE: 90 DBD - BUYS HOUSE IN BURBS SCENE #14: [INT. CATSKILLS TRAINING FACILITY -- DAY] (DANNY and SAMANTHA check out the inside of the building of the training facility that DANNY just got shot at in. They walk up to a bed.) DANNY: This must be where Dante sleeps. (SAMANTHA picks up the book on the side table and reads the cover.) SAMANTHA: Spiritual guide to financial independence. DANNY: You really can't blame these guys. Most of them end up punch drunk and working security at a casino. SAMANTHA: Why don't they hire a business manager? DANNY: What-- add another five percent and pray they don't screw you? SAMANTHA: Oh, so I get it. You train every waking hour, you get beat in the head for a living, and all the money you win gets stolen by some corrupt manager, and the benefits are what? Getting to wear satin shorts to work? DANNY: Don't knock it till you try it. (SAMANTHA'S phone rings. She answers it.) SAMANTHA: Yeah? (Cut to: DANNY continues looking at the place and walks into the back room.) (Cut back to: SAMANTHA: (to phone) Okay, great. Yeah. (Cut to: DANNY sits down in the back room. He's looking at something. SAMANTHA walks in.) SAMANTHA: Danny ... the guy who shot at you? Dante's trainer I.D'd him from the sketch as Andre's drug buddy. DANNY: Then I know why he came here. Look at this. (DANNY moves aside the carpeting and shows a patch of sticky blood. SAMANTHA walks up toward DANNY. ) DANNY: Where there's blood ... there's a body. (Camera holds on the wet blood.) CUT TO: SCENE #15: [INT. FBI - JACK'S OFFICE -- DAY] (JACK interviews DANIELLE MARKS.) JACK: Well ... uh, Ms. Marks, we came across a number of checks from Dante Jones' bank account that were signed by you. DANIELLE MARKS: That sounds about right. JACK: Can you tell me what they were for? DANIELLE MARKS: Child support, for Christina, my little girl. JACK: I wasn't aware that Dante had any children. DANIELLE MARKS: He doesn't. His brother Andre is Christina's father. JACK: So Dante was covering Andre's payments? DANIELLE MARKS: Andre always said he wanted to be involved with the baby but when it came time to pay, he'd be real hard to find. (Quick flashback to: ANDRE JONES and DANIELLE MARKS argue at the training center.) ANDRE JONES: I don't understand what the problem is. DANIELLE MARKS: The problem?! ANDRE JONES: Yeah! DANIELLE MARKS: The problem is you have me coming all the way in to the city to get paid. ANDRE JONES: Didn't I tell you I was working on it? DANTE JONES: Hold it, what's going on? ANDRE JONES: How many times-- DANIELLE MARKS: Your brother's not honoring his responsibilities. DANTE JONES: (to ANDRE) Didn't I already give you money for Christina this month? ANDRE JONES: Hey, I'm, I'm running a little low, man. All I need is couple of days, and she tripping -- DANIELLE MARKS: Tell your brother how you gambled it away. That's right. Every single penny of your baby girl's money, you tell him-- ANDRE JONES: You keep your mouth shut! This is between me and my brother! DANIELLE MARKS: Then maybe I should ask Dante for the money. The baby could be his for all I know. (DANTE is taken aback. ANDRE turns to look at DANTE.) DANTE JONES: Whoa, that's ... (ANDRE swings and hits DANIELLE.) ANDRE JONES: Bitch! (DANTE pushes ANDRE away.) DANTE JONES: What's the problem with you? DANIELLE MARKS: Is that all you got? ANDRE JONES: No, no, okay, okay. (End of flashback. Resume to present.) JACK: So you were sleeping with Dante too? DANIELLE MARKS: No. I just said that to piss Andre off. JACK: Right, and, uh, he believed you? DANIELLE MARKS: That'd be why he hit me. JACK: I gather this wasn't the first time he'd been violent with you. DANIELLE MARKS: Hm. But after that, I stayed away, and Dante started sending me checks directly. JACK: Uh... do you, uh... Do you recognize this man? (JACK shows DANIELLE the sketch of the man who shot at DANNY.) DANIELLE MARKS: No ... never seen him before. JACK: Approximately how long has it been since you've seen Andre? DANIELLE MARKS: It had been about a year ... until Wednesday night. Yeah, he brought Christina this gold unicorn necklace. It had to be expensive. And then he gave me $2,000 in cash. JACK: Must have been feeling pretty flush. DANIELLE MARKS: Ooh, that's Andre for you. Find him now ... I bet he's broke. JACK: Does he have a bookie that he uses here in town? DANIELLE MARKS: Yeah. The guy works out of an office building in Chelsea. CUT TO: [EXT. NEW YORK CITY (STOCK) - DAY] LEGEND: 21 HOURS MISSING SCENE #16: [INT. CHELSEA -- BOOKIE'S OFFICE -- DAY] (MARTIN and VIVIAN question ANDRE'S BOOKIE.) BOOKIE: Sure, I know Andre. He used to be a good customer.Had an uncanny ability to pick a loser. MARTIN: : Works out pretty well for you. BOOKIE: It's bad form to gloat, especially with kindly federal agents turning a blind eye to my, uh ... entrepreneurial venture. VIVIAN: How much did Andre owe you? BOOKIE: Well, I'll be honest with you. At times, Andre was into me for a tidy sum. But his debts were always honored. Not always by Andre, but, uh ... they were honored. (Quick flashback to: DANTE pays off the bookie.) DANTE JONES: 27 G's. That's what my brother owes, right? BOOKIE: Give or take. DANTE JONES: Tell me exactly how much. I want this clean. (The BOOKIE looks at the money inside the envelope.) BOOKIE: We're good. DANTE JONES: Then that's it, understand? Don't take any more bets from my brother. BOOKIE: Whatever you say, champ. DANTE JONES: Man, I know you got to do what you got to do, but I'm asking you. He's sick. BOOKIE: All right. (DANTE turns to leave. End of flashback. Resume to present.) MARTIN: How long ago was that? BOOKIE: A few months. MARTIN: Have you seen him since? BOOKIE: Dante, no. Andre, yes. VIVIAN: And you still took bets from him? BOOKIE: If it wasn't me, it was going to be somebody else. If I stop taking bets from guys with gambling problems, I lose my mirth. MARTIN: How was andre's luck the second time around? BOOKIE: Not any better. He got in pretty deep, over $300k. VIVIAN: Still outstanding? BOOKIE: No ... he, uh, paid off the whole thing a couple of days ago. MARTIN: What day exactly? BOOKIE: Uh ... Thursday. Came in with a certified check for the entire amount. MARTIN: Any idea where he came up with that money? BOOKIE: I never ask. CUT TO: SCENE #17: [INT. CHELSEA -- BOOKIE'S OFFICE - HALLWAY -- DAY] (MARTIN and VIVIAN talk out the BOOKIE'S office.) MARTIN: So where does Andre come up with $300,000? VIVIAN: Didn't get it from his brother. Dante didn't have that kind of cash. MARTIN: Didn't the mother say that Andre helped out with Dante's ventures? VIVIAN: Brother skimming from brother? MARTIN: Yeah, Dante catches him, threatens to cut him off, Andre get violent. CUT TO: SCENE #18: [EXT. -- DAY] (SAMANTHA and DANNY head up the hill toward where the officers are. Search dogs bark in the background.) SAMANTHA: Dogs tracked the scent down the road. (The officers pull the blanket aside to show the deceased's face.) DANNY: Hello, Andre. (DANNY looks at SAMANTHA, then walks away. SAMANTHA stares down at the body.) FADE OUT. (COMMERCIAL SET) FADE IN. SCENE #19: [INT. FBI - MRS. JONES' RESIDENCE -- DAY] LEGEND: 37 HOURS MISSING (Camera opens on the painting of DANTE over the fireplace. MARTIN and VIVIAN question MRS. JONES again. MRS. JONES is sitting on the couch and crying.) MRS. JONES: Andre said he was going to Vegas. It doesn't make any sense. VIVIAN: We checked all the airlines. Andre hasn't left town, Mrs. Jones. MRS. JONES: Then where did he go? VIVIAN: We don't know right now. We're doing our best to find out. Look ... did Andre say anything that might indicate that he was in trouble? MRS. JONES: Nothing specific ... but he always had his own special way of finding trouble. Do you have any children? VIVIAN: A son. MRS. JONES: One son. That's better. He gets all your love. You see, with two, you try to love them both the same, but you can't. VIVIAN: Whatever trouble Andre may have been in, I'm sure it wasn't your fault, Mrs. Jones. MRS. JONES: Please find Dante for me. He's all I have left. (MARTIN walks into the room. He puts his cell phone away. VIVIAN nods at MRS. JONES. She stands up and walks toward MARTIN.) VIVIAN: (to MRS. JONES) Excuse me. MARTIN: (quietly) Our, uh, bookie did a little leg work for us. Word on the street is the big money was moving away from Dante somebody must have known something. VIVIAN: That explains the cold feet. Dante didn't want to take a fall. MARTIN: Mm. It also explains Andre's mystery money. He must have arranged the fix. Dante ran, and then, unfortunately, Andre paid the price. (VIVIAN and MARTIN turn to look at MRS. JONES.) CUT TO: SCENE #20: [INT. FBI - JACK'S OFFICE -- DAY] (JACK is interviewing DANIELLE MARKS again. This time he has some bad news for her.) JACK: I'm sorry to have to be the one to break it to you. DANIELLE MARKS: What am I going to say to Christina? Her birthday's next week. She'll ask where he is. (DANIELLE starts to cry.) JACK: I know this may seem like an inappropriate time, but there are some questions that I have to ask you. Where were you that night? DANIELLE MARKS: I was at home with Christina and my sister. We watched "Survivor". JACK: And your sister will verify that? DANIELLE MARKS: And she'll also verify that I didn't kill his sorry ass. JACK: Did Andre happen to mention that he'd recently come into over $300,000? DANIELLE MARKS: (softly) Three hundred thousand? JACK: Yes. DANIELLE MARKS: I might be the last person he'd tell. Like I said, he came by with a necklace for Christina. He gave me some cash. He didn't talk to me. He spent the whole time on the phone. CUT TO: SCENE #21: [INT. TRAINING AREA -- DAY] (MARTIN and VIVIAN question DANTE'S TRAINER.) GIL (TRAINER): I can't say as I'm surprised. At times I was amazed that Andre lasted as long as he did. MARTIN: We know he paid off a huge debt to his bookie the night before the fight. Was there any chance he took the money as payment for a fix? GIL (TRAINER): I can tell you one thing, that fight wasn't fixed. VIVIAN: You sound pretty sure. GIL (TRAINER): I know what a fix looks like. (Quick flashback to: DANTE bursts in to the back waiting room. He throws the towel around his neck aside in frustration and anger. His TRAINER follows him in.) GIL (TRAINER): (v.o.) I saw one three years ago. TRAINER: (to DANTE) You left it all in the ring. It just didn't go our way. (DANTE is very angry. He plops himself down on the seat. His TRAINER leans in closely.) GIL (TRAINER): (concerned) You hurt? DANTE JONES: No, I'm good. (ANDRE walks into the room with their mother. The TRAINER turns around and sighs.) ANDRE JONES: It's okay, bro. We'll get him next time. (ANDRE goes to put a reassuring hand on DANTE'S shoulder. But DANTE isn't having any of it. He pushes ANDRE'S hand away. ANDRE takes a step back. MRS. JONES is taken aback by his behavior.) ANDRE JONES: What's up, man? (DANTE stands up and gets in ANDRE'S face.) DANTE JONES: Don't give me that! You know what! (DANTE turns away and sits back down.) DANTE JONES: Get these the hell off of me. GIL (TRAINER): Okay. GIL (TRAINER): (v.o.) That moment with Andre ... (End of flashback. Resume to present.) GIL (TRAINER): I knew he took a fall. I could see it in his face. MARTIN: You think Andre arranged it? GIL (TRAINER): That was his way of helping. If he took the fall that night, he'd get a title shot in the next one. Oh, Andre said it was a lock. VIVIAN: But it didn't turn out that way. GIL (TRAINER): No, it set him back two years not to mention what it did to his soul. Dante would do anything to stop that from happening again. MARTIN: Including killing his own brother? CUT TO: [EXT. NEW YORK CITY (STOCK) - DAY] SCENE #22: [INT. FBI - BULLPEN -- DAY] (SAMANTHA swings around in her chair and stands up. She approaches REGGIE who sits quietly at the work table.) SAMANTHA: You sure you don't want something to eat? REGGIE: Uh-uh. SAMANTHA: Okay. (SAMANTHA gets up and heads out of the office. VIVIAN walks into the office toward REGGIE. She's on her cell phone.) VIVIAN: (on phone) No. (pause) No, he's here. (pause) Okay, all right. (she hangs up) (to REGGIE) What happened? REGGIE: I didn't start it. It was Justin's fault. VIVIAN: What was? (VIVIAN sits down at the table.) REGGIE: He took my Dante picture from my binder. And he wouldn't give it back. I asked him. VIVIAN: And? REGGIE: (sighs) He said to come and get it. Said I was a wuss, like Dante. So when I grabbed him to get it back, he ripped it up. VIVIAN: And then what happened. REGGIE: I punched him in the face and he started bleeding. VIVIAN: Where was Mrs. Guare? REGGIE: It was recess. Everyone was yelling she was coming. So ... I ran. VIVIAN: You did what? REGGIE: I ran. VIVIAN: And how did you get here? REGGIE: I walked. VIVIAN: You walked all the way downtown from school because you got into a fight? REGGIE: Mom, he ripped it up. VIVIAN: Yeah, I heard that part. I'm going to call Mrs. Guare, let her know what happened, but you listen to me -- you don't hit people just because you don't like what they say. Okay? Okay? REGGIE: Okay. VIVIAN: And you don't ever leave school without my or your father's permission. Is that understood? You don't run away. REGGIE: Okay. Did you find Dante? VIVIAN: Uh-uh. We're doing our best. Come on, back to school. (VIVIAN and REGGIE both stand up and head out of the office. They pass DANNY on the way in.) DANNY: What's up, Reggie? Remember our friend Ron Moody the security guard? SAMANTHA: Yeah. DANNY: Turns out he deposited 10 grand into his personal savings account this morning. SAMANTHA: Oh, that sounds like a payoff. DANNY: Yes, it does. SAMANTHA: Hmm. CUT TO: SCENE #23: [INT. FBI - INTERVIEW ROOM -- DAY] (DANNY and SAMANTHA question RON MOODY) DANNY: You are a liar. (DANNY leans in close to RON MOODY.) DANNY: Ron? RON MOODY: What? SAMANTHA: Where'd you get the money? RON MOODY: The kid. The boxer. He gave it to me. SAMANTHA: When did he give it to you? RON MOODY: That night. Told me not to tell anyone. (DANNY looks at SAMANTHA.) DANNY: Was this before or after the two made men made you clear up. RON MOODY: it was his idea. (Quick flashback to: DANTE JONES and RON MOODY in the back hallway.) DANTE JONES: Here's 10 G's. You know what to say, right? RON MOODY: Yeah, "two guys with guns cleared me out of here." I got it. (DANTE starts walking down the hallway with his bag. He turns around to look at RON MOODY.) DANTE JONES: And you never saw me, you understand? RON MOODY: No problem. (End of flashback. Resume to present.) DANNY: And then he left? RON MOODY: That was the plan. SAMANTHA: The cover story? RON MOODY: Everything. CUT TO: SCENE #24: [INT. FBI - BULLPEN -- DAY] (DANNY swivels his chair to look at VIVIAN who sits at the conference table looking through some files.) DANNY: You know, I'd hate to break it to you, Viv, but ... I think your boy Dante panicked. VIVIAN: (doesn't believe it) Yeah, yeah. DANNY: Viv, is everything all right with Reggie? VIVIAN: You can't protect him from everything. (JACK walks up to them.) JACK: That call that Andre Jones made from his girlfriend's house was to a guy named Michael Chambers. This guy was busted for an options scam out of a boiler room stock outfit. Served eighteen months, been out almost three years, and since has been making his living in the world of high-stakes gambling. He last surfaced in an investigation of cash gifts to college basketball recruits. VIVIAN: A fixer. JACK: Uh-huh, but at the time of his arrest, several of the other boiler room employees were questioned, including a young intern who is now a boxing promoter. VIVIAN: Dante's promoter, Chris Roland? JACK: Right. DANNY: Can I take a look at that? (DANNY reaches for the paper and photo that JACK'S reading from. He looks at the photo and recognizes the man instantly.) DANNY: This is the guy who took a shot at me. (VIVIAN moves to look at the photo over DANNY'S shoulder. Camera holds on the photo.) FADE OUT. (COMMERCIAL SET) FADE IN. [EXT. NEW YORK CITY (STOCK) - DAY] SCENE #25: [INT. FBI - INTERVIEW ROOM -- DAY] (DANNY walks into the interview room. MICHAEL CHAMBERS is already there sitting at the table.) DANNY: Mikey Chambers. Remember me? No? Maybe this will refresh your memory. (DANNY puts three bullet casings on the table in between them. MICHAEL CHAMBERS looks at them.) MICHAEL CHAMBERS: I'm not sure what you want me to remember. DANNY: Mike, you shot at me in the Catskills. Remember that fight that you fixed, that didn't go as planned? (chuckles) You went up there to make Andre pay, but then I got in your way? MICHAEL CHAMBERS: I don't remember that. DANNY: Wow. Well, do you remember the handgun that I found in your car? 'Cause I got a warrant. I'm running ballistics on these bullets right now. They come back posit g g g got you for the attempted murder of me, a Federal Officer. And when Andre's autopsy report comes back ... MICHAEL CHAMBERS: I didn't kill Andre. DANNY: Well, then, who did? MICHAEL CHAMBERS: I want a lawyer. DANNY: Okay. Well, let's take a walk then, Mikey. (DANNY stands up and waits for MICHAEL CHAMBERS to stand also. They both head for the door.) JACK: (v.o.) You know, it's a long way from pushing stock scams CUT TO: SCENE #26: [INT. FBI - JACK'S OFFICE - DAY -- CONTINUOUS] (JACK is interviewing CHRIS ROLAND in his office.) JACK: ... to promoting title fights. CHRIS ROLAND: I was an intern. I answered phones and made coffee. I was there for about ... two months. JACK: Long enough to make the acquaintance of Michael Chambers. Convicted security trader Michael Chambers, also a fight fixer. CHRIS ROLAND: Yeah, I know who he is. Do you have any idea why Andre brought Michael Chambers to Dante's camp the day before the fight? Why don't you ask him? ATTORNEY: Agent Malone, we've been very cooperative up to this point ... (DANNY knocks on the door. JACK looks up and excuses himself.) JACK: Could you just excuse me for one second? (JACK gets up and walks out the office into the hallway where DANNY introduces him to MICHAEL CHAMBERS. CHRIS ROLAND glances out at the three men in the hallway and shifts uncomfortably in his chair. He turns to look at his lawyer.) DANNY: (to JACK) Meet Michael Chambers. (to MICHAEL CHAMBERS) Shake his hand, Michael. JACK: Shake my hand, Michael. (JACK and MICHAEL shake hands. In the office, CHRIS ROLAND sees the hand shake and turns to look at his LAWYER. CHRIS ROLAND turns to look at the hallway again just in time to see DANNY hand a sheaf of papers to JACK.) DANNY: Here's his statement. JACK: Thank you. MICHAEL CHAMBERS: (confused) What is this?! DANNY: Let's go. (DANNY leads MICHAEL CHAMBERS along the hallway. JACK walks back into his office.) CHRIS ROLAND: What's he doing here? JACK: He's, uh... he's cooperating. (JACK sits down.) CHRIS ROLAND: If he said I killed Andre ... JACK: I'd like to help you, Chris, but that ship has sailed. CHRIS ROLAND: All I did was give him the money-- the $300,000. The rest was up to him! ATTORNEY: Chris, that's enough. CHRIS ROLAND: Hold on. I did not kill anyone. You gave Andre $300,000 to get Dante to throw the fight, but when he ran away ... I did not kill anyone. Chambers was out of control. He was the one who threatened Andre. He said he'd kill them both. That was him. JACK: I'm going to need a written statement to that effect. CHRIS ROLAND: Fine. (JACK opens the folder on his desk.) CUT TO: SCENE #27: [INT. FBI - BULLPEN -- DAY] (MARTIN walks into the bullpen and up to VIVIAN who is going through stacks of paper on the table.) MARTIN: So I just ran Roland's phone couple of weeks ago, he made a call to the realtor Marissa Kelly at her home. VIVIAN: What's the connection there? MARTIN: Well, we ran her credit cards, and she rented a car the night of the fight, and, according to the rental car company, it hasn't been returned yet. (MARTIN hands the paper to VIVIAN. She looks at it.) VIVIAN: She lives in the city, right? MARTIN: Yeah, west 68th, and it's only two blocks from her office. VIVIAN: Better find out who she rented the car for. (VIVIAN hands the paper back to MARTIN.) CUT TO: SCENE #28: [INT. FBI - CONFERENCE ROOM] (MARISSA KELLY is back in the conference room with MARTIN and VIVIAN.) MARISSA KELLY: I was only trying to help Dante. We were seeing each other. We started dating when he was looking for his house. MARTIN: And what about the phone calls from Chris Roland? MARISSA KELLY: They were from Dante. He was in Roland's office, doing business. VIVIAN: Where is he now? MARISSA KELLY: I don't know. He came over the morning of the fight. (Quick flashback to: Realty Offices. DANTE JONES walks hurriedly up to MARISSA KELLY and pulls her aside to talk with her privately.) MARISSA KELLY: (v.o.) He was very upset. DANTE JONES: (quietly): Marissa, hey. My brother is dead. MARISSA KELLY: What?! What happened? DANTE JONES: They wanted to fix the fight. Everything got all messed up. MARISSA KELLY: Oh, my god, Dante. DANTE JONES: I got to get away soon as the fight's over. MARISSA KELLY: Okay. DANTE JONES: The money from the escrow -- can you get it for me? MARISSA KELLY: It-it'll take a few days. DANTE JONES: No, I got to have something now. MARISSA KELLY: I'll call the bank and see if they'll release it, but I'm not sure. DANTE JONES: Got to try for me. MARISSA KELLY: Oh, Dante, I don't know if I can get involved in this. DANTE JONES: Please, Marissa. Please. MARISSA KELLY: Okay. I'll try. (They kiss each other and hug.) DANTE JONES: I can't believe this is happening to me. (End of flashback. Resume to present.) MARISSA KELLY: He was going to lay low for a couple of days, out of town. Then he was supposed to drop the car off at a bus station and I was going to go down and meet him. VIVIAN: You said that he wasn't going to leave until after the fight. What happened? MARISSA KELLY: I don't know. I guess he couldn't go through with it. (SAMANTHA knocks lightly on the door and signals to them. VIVIAN stands up and leaves the room.) [INT. FBI - HALLWAY - DAY - CONTINUOUS] (SAMANTHA and VIVIAN head for the bullpen.) SAMANTHA: Andre Jones' autopsy results. Okay, the shot came from a .38 caliber. Negative match on chambers' gun. Coroner puts the approximate time of death between 9:00 and 11:00 P.M. On Thursday night. VIVIAN: The night before the fight. SAMANTHA: Yeah. There's more. The coroner found two foreign substances mixed with the blood on his face: Titanium dioxide and a compound called bismuth oxy chloride which, together, give the captivating color and shine to lipstick. VIVIAN: He was with a woman when he died. (VIVIAN thinks about this for a moment.) CUT TO: SCENE #29: [INT. JONES' RESIDENCE -- NIGHT] (VIVIAN looks at a framed photo of DANTE JONES and his brother ANDRE. The two have their arms around each other and are smiling for the camera.) MRS. JONES: That was the Reverend. He's been kind enough to take care of Andre's service. (She looks at the photo and chuckles.) MRS. JONES: Always clowning around, the two of them. Big smiles. Couldn't keep them apart. (MRS. JONES sits down.) MRS. JONES: It's just so difficult not knowing where he is, if he's okay. VIVIAN: I know what happened, Mrs. Jones. (MRS. JONES looks at VIVIAN. VIVIAN'S look doesn't waiver.) MRS. JONES: You do? VIVIAN: Andre went back up to the camp the night before the fight. He was killed because he was trying to fix the fight. MRS. JONES: I don't understand what you're saying. VIVIAN: The coroner found traces of lipstick on his face. It was there when he died. If go into your bathroom, I'll find the same lipstick, won't I? You were trying to protect Dante from all the bad things in the world. But you couldn't protect Dante from Andre. Andre was always dragging him down. MRS. JONES: Andre loved his brother. VIVIAN: And Andre was finding it harder and harder to make his own mark, be his own man. That's why he arranged the first fix, right? After that, Dante almost lost everything, but then there was Andre again, trying to drag him back down. You had an impossible choice. You killed one son to save the other. MRS. JONES: (crying) I didn't know ... how to help him. With Dante, everything always came so easy. Andre ... couldn't get from underneath his shadow. Dante felt ... responsible, like it was his brotherly duty to make things right, and no matter what he did for Andre, every time Andre slipped ... Dante fell with him. VIVIAN: What happened that night? MRS. JONES: I heard them arguing ... (Quick flashback to: DANTE and ANDRE talk in the house.) ANDRE JONES: They said they're going to kill us both. DANTE JONES: How could you do this to me again?! ANDRE JONES: They promised it was going to work out different this time. DANTE JONES: Like it worked out the last time? I lost two years because of you! ANDRE JONES: (crying) I'm sorry. I'm so sorry, man. I needed the money. DANTE JONES: I'm getting a half-mil for the fight, Dre. DANTE JONES: You could've asked me. ANDRE JONES: For what, man? You give Roland his cut, then you pay your bills, and then you give Uncle Sam some money. Man, you wouldn't have it, man. DANTE JONES: Oh, man! All you had to do was come and talk to me! Before it got to this! ANDRE JONES: I know, man. I messed up, man. (ANDRE sits down and cries.) ANDRE JONES: I messed up everything. DANTE JONES: Dre ... it's okay, man. (DANTE puts his arms around ANDRE. Off to the side just outside the doorway, MRS. JONES watches ... and cries.) MRS. JONES: (v.o.) There was nothing left to do. (End of flashback. Resume to present.) MRS. JONES: If I'd told the police, they would've found out that Dante took a fall the last time, and all those ... men that Andre was bringing to his life would've destroyed them both. He was asleep. (Quick flashback to: MRS. JONES walks up to ANDRE as he sleeps. She leans down and kisses him on the cheek.) (She holds the gun out. She looks away. And she pulls the trigger.) (Cut to: DANTE is sleeping in bed and is startled awake by the gunshot. He leaps out of bed.) (Cut to: MRS. JONES bent over ANDRE. She is weeping when DANTE walks into the room. DATE kneels down and cries.) (End of flashback. Resume to present.) MRS. JONES: Dante helped me. We didn't know what to do. We took the body to the woods. VIVIAN: Where's Dante now? MRS. JONES: I don't know. He didn't tell me he was going to go. I know he'll never forgive me. But what I did ... I did for him. (VIVIAN'S cell phone rings. She stands to answer it.) VIVIAN: Yeah? INTERCUT WITH: MARTIN: Dante's rental car was just spotted at a bus station outside of Philadelphia. VIVIAN: All right, I'll meet you there. Yeah, I'm on my way. (VIVIAN walks out of the apartment.) CUT TO: SCENE #30: [EXT. BUS STATION -- NIGHT] (VIVIAN walks through the bus station. She looks around. Cut to: MARTIN checks out the buses.) VIVIAN: (to mic) Nothing at the east gate. MARTIN: (to mic) Nothing here. (VIVIAN passes by an elderly man sitting on a bench reading the paper. Next to him is a discarded sports page with a large picture of DANTE JONES on the front. She stops.) VIVIAN: Excuse me. Was somebody reading this? ELDERLY MAN: A young fellow. He was just sitting there. [SLOW MOTION CAMERA] (VIVIAN looks up and just happens to see DANTE JONES standing right there. DANTE JONES stares at VIVIAN. For some reason, he knows exactly who she is and why she's there. He takes a step backward , turns and flees.) [RESUME CAMERA] (VIVIAN watches him.) MARTIN: (over radio) Viv, you got anything? Viv, what do you got? [SLOW MOTION CAMERA] (DANTE JONES backs into the waiting area, turns around and comes face to face with VIVIAN.) [RESUME CAMERA] MARTIN: Viv, you copy me? VIVIAN: Waiting area. I've got a visual. (VIVIAN holds out her ID and walks up to DANTE JONES. She begins to identify herself. This is soundless.) (DANTE turns around. MARTIN appears behind DANTE. He approaches DANTE with both his hands raised palms forward. DANTE turns back around to look at VIVIAN.) SHORT TIME CUT TO: SCENE #31: [EXT. BUS STATION - BENCH -- NIGHT] (VIVIAN sits next to DANTE JONES.) VIVIAN: (quietly) It's not your fault, Dante. DANTE JONES: I wanted things to change. I just couldn't do anything about it. VIVIAN: You did everything that you could. DANTE JONES: I'm not testifying against my mother. VIVIAN: My guess is the D.A. won't make you. You're an accessory after the fact. I think they'll be more interested in what you've got on Chambers and Roland. DANTE JONES: And then what? VIVIAN: And then they'll go to jail. DANTE JONES: And me? VIVIAN: That's up to you. (MARTIN approaches VIVIAN and DANTE accompanied by two agents.) MARTIN: (to the agents) Let's go without the cuffs on this one. He's fine. (The two agents escort DANTE out of the bus terminal. MARTIN hangs around with VIVIAN. They head out in the other direction.) MARTIN: Did what we had to do. VIVIAN: Doesn't mean it feels good. MARTIN: Yeah, no kidding. What are you going to tell Reggie? VIVIAN: What he needs to know. "Dante Jones is a great boxer." FADE TO BLACK. ======================== THE END ======================== [Captioning sponsored by CBS and Warner Bros. Television Captioned by Media Access Group at WGBH access.Wgbh.Org] Courtesy of http://www.webphilia.com/~anthology/wnp.html Contact the Transcriptionist at (intrepidly002@yahoo.com) Please do not archive this transcript without permission from the Transcriptionist. ======================== BEGINNING/TITLE CREDITS ======================== WITHOUT A TRACE 1X20: NO MAS ORIGINAL AIR DATE ON CBS: 04/24/2003 TRANSCRIBED FROM CBS Starring ANTHONY LaPAGLIA as Jack Malone POPPY MONTGOMERY as Samantha Spade MARIANNE JEAN-BAPTISTE as Vivian Johnson ENRIQUE MURCIANO as Danny Taylor ERIC CLOSE as Martin Fitzgerald Created by: HANK STEINBERG Starring DAVIS HENRY as Dante Jones BODHI ELFMAN JUANITA JENNINGS DWAYNE L. BARNES TANGELIA ROUSE FRANKIE JAY ALLISON JOHN BELLUCCI MARTA MARTIN as Marissa Kelly and MIKE STARR Producer: PAUL HOLAHAN Producer: JAN NASH Producer: GREG WALKER Produced by: SCOTT WHITE Co-executive Producer: JACOB EPSTEIN Executive Producer: HANK STEINBERG Executive Producer: JONATHAN LITTMAN Executive Producer: ED REDLICH Written by: GREG WALKER Directed by: PAUL HOLAHAN ======================== END CREDITS ======================== JERRY BRUCKHEIMER Television CBS Productions Warner Bros. Television, An AOL Time Warner Company www.warnerbros.com Associate Producer: NANCY VAN DOORNEWAARD Executive Story Editor: ALLISON ABNER Director of Photography: JOHN PETERS Production Designer: AARON OSBORNE Edited by: JOHN F. SCHOWALTER Music by PETER MANNING ROBINSON Theme by JOHNNY KLIMEK and REINHOLD HEIL Unit Production Manager: SCOTT "The Bear" MAITLAND First Assistant Director: KRISTIN KILLEY Second Assistant Director: WENDY BLEDSOE Casting by: GARRY M. ZUCKERBROD, C.S.A. Casting by RONNA KRESS, C.S.A. and TRACY KAPLAN, C.S.A. Co-Starring IAN BARFORD as Chambers JOHN STERLINE CARTER as Attorney Co-Starring RICHARD HILTON as Commuter WILLIAM TURNER as Reggie BRIAN CATALANO as Cop Technical Advisor: MARK LLEWELLYN Set Decorator: JEANNIE GUNN, S.D.S.A. Property Master: JOHN HARRINGTON Costume Designer: ANE CRABTREE Costume Supervisor: SUE BUB Make-up Artist: TINA ROESLER KERWIN Hairstylist: STEPHEN A. ELSBREE Production Sound Mixer: JAY PATTERSON, C.A.S. Construction Coordinator: STEVEN DE SANTIS Lead Man: RON SICA Supervising Sound Editor: VICTOR IORILLO Music Supervisor: JASON ALEXANDER Music Editor: DAN RAZIEL Re-recording Mixers: YURI REESE / BILL SMITH Film Processing by FOTOKEM Main Title Design by SKIP FILM Visual Effects by CREO cbs.com FBI Technical Advisor: DENNIS BONELLI The producers wish to thank the New York office of the FBI for their help and cooperation. The characters and events depicted in this motion picture are fictional. Any similarity to any actual person, living or dead, or to any actual events, firms, and institutions or other entities, is coincidental and unintentional. This motion picture is protected under the Laws of the United States and other countries, and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution. Copyright 2003 Warner Bros. Television. All Rights Reserved Production #175669 Country of first publication United States of America Warner Bros. Television is the author of this film/motion picture for the purpose of Article 15 (2) of the Berne Convention and all national laws giving effect therein. Dated:05/26/2003~lky http://www.webphilia.com/~anthology/wnp.html